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LET IT BEGIN HERE!

LEXINGTON AND CONCORD: FIRST BATTLES OF THE AMERICAN REVOLUTION

Fradin sandwiches a present-tense, practically hour-by-hour account of the confrontations at Lexington and Concord between an introductory cast list and a closing “whatever happened to them” feature. Day’s sketchy watercolors capture much of the historical detail but all of the melodrama. Scenes include a lone drummer on Lexington Green rapping out a call to arms, determined-looking Patriots (including the slave, Prince Estabrook) taking on lines of faceless redcoats, Jonathan Harrington dying in his doorway before his horrified wife and son, and like iconic incidents between Paul Revere’s nighttime dispatch and a view of the defeated British straggling into Boston. Backed by a closing overview of the Revolution’s course and multi-level reading lists, this makes a rousing introduction to the war’s opening events. Pair it with the equally stirring likes of Stephen Krensky’s Dangerous Crossing: The Revolutionary Voyage of John Quincy Adams (p. 53). (Picture book/nonfiction. 7-9)

Pub Date: April 1, 2005

ISBN: 0-8027-8945-5

Page Count: 32

Publisher: Walker

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2005

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TWENTY-ONE ELEPHANTS AND STILL STANDING

Strong rhythms and occasional full or partial rhymes give this account of P.T. Barnum’s 1884 elephant parade across the newly opened Brooklyn Bridge an incantatory tone. Catching a whiff of public concern about the new bridge’s sturdiness, Barnum seizes the moment: “’I will stage an event / that will calm every fear, erase every worry, / about that remarkable bridge. / My display will amuse, inform / and astound some. / Or else my name isn’t Barnum!’” Using a rich palette of glowing golds and browns, Roca imbues the pachyderms with a calm solidity, sending them ambling past equally solid-looking buildings and over a truly monumental bridge—which soars over a striped Big Top tent in the final scene. A stately rendition of the episode, less exuberant, but also less fictionalized, than Phil Bildner’s Twenty-One Elephants (2004), illustrated by LeUyen Pham. (author’s note, resource list) (Picture book. 7-9)

Pub Date: Sept. 26, 2005

ISBN: 0-618-44887-X

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2005

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ELIE WIESEL

BEARING WITNESS

A clear, understandable account of a young Jewish boy's terrible experiences during the World War II. In 1944, when Eliezer Wiesel was 15, his town of Sighet (then part of Hungary) was invaded by the German army, who forced all the Jews to live in ghettos. From there, the Wiesel family were sent to concentration camps where, with the exception of Elie, they all were killed. Without fanfare but with dignified emphasis, author Pariser describes the cruelties and horrors of Wiesel's life as an inmate, as well as his subsequent liberation by Allied forces and his future vocation as a journalist, author, speaker, and political activist. Photographs from the WW II period establish a mood of somber witness. With its clear, narrative style, useful bibliography, chronology, and index, this is an excellent introduction to what is undeniably one of the darkest periods in modern history. (Nonfiction. 7-9)

Pub Date: Aug. 15, 1994

ISBN: 1-56294-419-3

Page Count: 48

Publisher: Millbrook

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 1994

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