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IN THE LION’S COURT

POWER, AMBITION AND SUDDEN DEATH IN THE REIGN OF HENRY VIII

Remarkable research, a masterful synthesis—but lacking an animating panache. (16 pages b&w photos, not seen)

A novelist and popular historian (The King and the Gentleman: Charles Stuart and Oliver Cromwell, 1499–1649, 1999, etc.) argues that the six wives are far less significant to our understanding of Henry VIII than the six Thomases who served him: Wolsey, More, Cromwell, Howard, Wriothesley, and Cranmer.

What interests Wilson is the politics of Henry’s court, and so he focuses on the politicians—secular and sectarian—who rose and fell (or knelt briefly at the block) during Henry’s 38-year reign. He achieves a number of important goals in his long, dense text: (1) he humanizes More, establishing beyond debate that he was not the saintly martyr of A Man for All Seasons; (2) he creates some sympathy for Wolsey, too often portrayed in history as a fat-cat cardinal interested only in acquiring wealth and power; (3) he reveals much about the lesser-known Thomases, especially Cromwell, Cranmer, and Wriothesley, all of whom had enormous gifts, painstakingly shown by Wilson. As much as he wishes to shove the six wives into the shadows of the six Thomases, though, he recognizes that the status of the men rose and fell with the king’s marital relationships. Failure meant loss of power (Wolsey) and even loss of life (More, Cromwell). Wilson displays an impressive command of early Tudor history and an even more impressive ability to interweave so many separate strands of the great story. Some individual sentences shine with wit and insight (“Henry was besotted with his new queen [Catherine Howard] and persuaded himself that he was young again”), yet he seems determined to exclude from his narrative any of the lurid details of life, sex, and death that have drawn readers to the subject for centuries. The deaths of Anne Boleyn, Thomas Cromwell, and Catherine Howard are recorded in the most restrained and even prudish prose (we are told only that Cromwell’s headsman “bungled the job badly”).

Remarkable research, a masterful synthesis—but lacking an animating panache. (16 pages b&w photos, not seen)

Pub Date: April 1, 2002

ISBN: 0-312-28696-1

Page Count: 576

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2002

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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