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CRANE BOY

Gracefully celebrates both a little-known culture and its beloved birds.

The black-necked cranes that return to Kinga’s village in Bhutan each winter inspire the schoolboy to convince his classmates and the local monks to create a festival in their honor.

This imagined re-creation of the origin of the annual Crane Festival in the Phobjika Valley, a modern celebration and occasion for environmental education, makes a nice connection to children anywhere who love the natural world. Kinga and his classmates are excited to see the cranes arriving outside their schoolroom window. Their teacher builds on their enthusiasm by taking them to a sanctuary to learn more about the birds, whose numbers are dwindling. This inspires Kinga to suggest the festival. They ask the monks, who sponsor the community’s sacred dances, to help them compose and perform a dance of their own that emulates the movements of the elegant birds. Cohn weaves numerous details about Bhutanese life and culture into her smoothly told story; Youme adds even more with watercolor images in a naïve style that nicely matches Kinga’s present-tense narration. A three-generational family dinnertime scene is especially appealing. Interspersed are images of Bhutanese prayer flags and crane drawings made by schoolchildren during the author and illustrator’s visit to that country. The story ends with further information, a map, and photographs.

Gracefully celebrates both a little-known culture and its beloved birds. (Informational picture book. 6-9)

Pub Date: Oct. 6, 2015

ISBN: 978-1-941026-16-8

Page Count: 40

Publisher: Cinco Puntos Press

Review Posted Online: Aug. 25, 2015

Kirkus Reviews Issue: Sept. 15, 2015

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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WAITING IS NOT EASY!

From the Elephant & Piggie series

A lesson that never grows old, enacted with verve by two favorite friends

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 4, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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