by Diane Johnson ‧ RELEASE DATE: Jan. 14, 1993
Peevish, polished travel reports by a novelist (Health and Happiness, 1990, etc.), biographer (Dashiell Hammett, 1983), and book critic (Terrorists and Novelists, 1982). Johnson's voyages, which range from Thailand to Utah, have taught her that ``travel brings us as nothing else does to a sense of ourselves,'' and that, when interacting with locals, ``the actual existence of these people is irrelevant to the passions...they arouse.'' This, then, is a self-referential, almost solipsistic approach to travel in which the voyager becomes an armored vehicle nosing through alien lands, shooting barbed observations at will. A typical interlude occurs on a ``tiny, shabby'' boat off Australia, when Johnson sneers that another passenger ``had no conversations, had never been anywhere...I thought about how sad it was to be him.'' Later, though, she admits that ``I know I've been a pig''; Johnson never hesitates to turn her guns on herself. Balancing this sniping is her splendid descriptive talent; stepping on to the Great Barrier Reef, she finds it ``entirely alive, made of eyeless formations of cabbagey creatures sucking and opening and closing, yearning towards tiny ponds of water.'' But sourness rules the day. In India, a potentially funny episode concerning a cracked bottle of wine turns into a fiasco; in Africa, Johnson scolds ivory traders; in Switzerland, ``there seemed to be nothing pink, light, luxurious, no concept of decor.'' The author's vision seems blinkered, in part, by her social class: In Japan, she complains that ``all is Vuitton bags and Chanel,'' and usually she finds peasants frightening or disgusting. Travels in England, South Africa, Egypt, Singapore, and China leave the same bitter aftertaste. Johnson's honesty is admirable: Isolation and discomfort are part of the traveler's lot, unacknowledged in the guidebooks. But most travelers find ways to overcome them, and very few make their readers suffer through the ordeal. Just like natural opium: crystalline images and insights that leave a nasty headache. Maybe Johnson should have stayed at home.
Pub Date: Jan. 14, 1993
ISBN: 0-679-41346-4
Page Count: 256
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1992
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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