Young activists in search of role models will find much to admire in this tough, courageous woman.
A tribute to a tireless African American journalist and crusader for social justice.
Presenting her subject as a woman who learned the importance of doing “the right thing” from her parents and tallying her achievements up to the eve of World War I, Johnson mentions her anti-lynching campaign in passing but really focuses on her women’s suffrage work—and in particular her defiance of the racist stance taken by Alice Paul and the all-white National American Woman Suffrage Association. Quoting Paul’s “despicable” assertion that the planned Washington, D.C., march of 1913 “must have a white procession, or a Negro procession, or no procession at all,” the author heatedly comments that the Association “did not care about African American, Asian American, or Mexican American women. They were not concerned about Indigenous women, whose ancestors were the first to live on this land.” Nonetheless, once the march began, Wells stepped out of the crowd of spectators and “did the brave and bold and truthful thing” by joining her state’s contingent uninvited. The bold stare Wells directs out from the climactic final scene challenges viewers to realize that when it comes to gender and racial equality, there’s still work to be done.
Young activists in search of role models will find much to admire in this tough, courageous woman. (photos, timeline, source lists) (Picture-book biography. 6-9)Pub Date: Jan. 2, 2024
ISBN: 9780316322478
Page Count: 48
Publisher: Christy Ottaviano Books
Review Posted Online: Oct. 5, 2023
Kirkus Reviews Issue: Nov. 1, 2023
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
Blandly laudatory.
The iconic animator introduces young readers to each “happy place” in his life.
The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.
Blandly laudatory. (bibliography) (Picture book/biography. 6-8)Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-2875-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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