by Donald Spoto ‧ RELEASE DATE: March 1, 2016
A warm and well-researched yet ultimately inessential appreciation of one of Hollywood’s largely forgotten stars.
Spoto spotlights Wright.
Acclaimed Hollywood biographer Spoto (The Redgraves: A Family Epic, 2012, etc.), who has penned books about Joan Crawford, Grace Kelly, Audrey Hepburn, James Dean, Elizabeth Taylor, and others, returns with an affectionate portrait of actress Teresa Wright (1918-2005), best known for her roles in Shadow of a Doubt, The Little Foxes, The Best Years of Our Lives, and Mrs. Miniver, for which Wright won an Academy Award for best supporting actress. Unfortunately for Spoto, after that run of films in the early 1940s, Wright’s star faded precipitously as the result of a highly publicized contract dispute with studio head Samuel Goldwyn, and her career afterward consisted of well-regarded—but hardly iconic—work on stage, screen, and lesser parts in lesser films. It’s hardly the stuff of high drama, and the author’s account of Wright’s personal life similarly fails to enthrall, as a relatively civilized divorce from her first husband and a sometimes-prickly relationship with her second, playwright Robert Anderson, mark the dramatic peaks of this material. Wright was a wonderfully bracing actress in her clutch of classic early roles. She was fresh-faced, winsome, emotionally direct and fiercely intelligent, and it’s a shame her talent was undervalued by the studio brass. However, her story lacks a compelling arc, and her cultural impact does not justify the in-depth descriptions of her homes, friendships, children’s lives, and sundry other personal details diligently recorded here. Spoto writes of his long personal friendship with Wright, and his admiration and respect register clearly in his characteristically literate, engaging, and authoritative prose. She does come across as a wonderful person to know, but as a biographical subject, she leaves readers wanting.
A warm and well-researched yet ultimately inessential appreciation of one of Hollywood’s largely forgotten stars.Pub Date: March 1, 2016
ISBN: 978-1-62846-045-2
Page Count: 272
Publisher: Univ. Press of Mississippi
Review Posted Online: March 9, 2016
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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