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NOBODY NOWHERE

Name: NOBODY NOWHERE
Author: Donna Williams
ISBN: 0-8129-2042-2

THE EXTRAORDINARY AUTOBIOGRAPHY OF AN AUTISTIC

by Donna Williams ‧ RELEASE DATE: Oct. 1, 1992

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The singular battle of an autistic woman to connect with ``out there''—the world and the people outside her frightened self. From birth, autistics exhibit, among other symptoms, extreme lack of emotional response, repetitive behavior, and speech that mirrors what is being said to them. The symptoms mask what is often average or above-average intelligence, a conflict leading to rage, destructive behavior, and often, in children, to institutionalization. Williams believes that she was able to emerge from her autistic fortress in large part because of—ironically— her abusive mother. As a little girl, she warded off her mother's physical and verbal blows by assuming personalities that were acceptable to the outside world. Although her emotional core remained untouched most of the time, the need to act ``normal'' prevented her from totally retreating into a world where ``gentleness, kindness and affection'' had no part. Williams's role-playing helped her to get through school, including college, to get jobs and lovers, and finally to accept and give—on a limited basis—affection in her own person, as Donna. Fragmented and emotionally distant (``Welcome to my world,'' says Williams), the author's story offers insight into the autistic experience. The last chapters address specifically why typical autistic behavior, such as switching lights on and off, is comforting. How to deal with autistics? Through psychological warfare, Williams says, though that warfare must be waged with patience and a plan. A recounting of an amazing struggle that will help the frustrated parents, teachers, and clinicians understand more clearly what those unresponsive ``dead eyes'' see. A worthy complement to Judy and Sean Barron's There's a Boy in Here (p. 83). (Sixteen pages of b&w photographs—not seen.)

Pub Date: Oct. 1, 1992

ISBN: 0-8129-2042-2

Page Count: 256

Publisher: Times/Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1992

Categories:

GENERAL NONFICTION

- BOOK REVIEW
LIKE COLOR TO THE BLIND
by Donna Williams

- BOOK REVIEW
SOMEBODY SOMEWHERE
by Donna Williams

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.