by Doris Lessing ‧ RELEASE DATE: Jan. 5, 1980
After a digression into sexual politics (The Marriages Between Zones Three, Four, and Five), Lessing's science-fiction cycle returns to the broad sociological preoccupations of Shikasta (1979)—in which we learned of the Canopean Empire's benevolent, triumphant, yet doomed experiments with primates on Colonised Planet 5, Shikasta. Now the focus is on the very un-benevolent experiments carried out by the Canopeans' rival Empire-builders—the Sirians, who control Shikasta's southern hemisphere. And Lessing's Sirian narrator is Ambien II, a crisply efficient bureaucrat/scientist who will gradually come to realize that the Sirians' obsessive, envious fears of Canopus are unfounded, that the Canopean guiding-principle of "Necessity" is valid, that the Canopeans are "altogether finer and higher." But before this awakening, Ambien II masterminds some dreadful experiments: the kidnapping of thousands of "Lombis" from Planet 24 for training as slaves (kept in a social vacuum to prevent upward mobility, this easygoing race becomes nervous and paranoid); pathetic stabs at simulating the miraculous Canopean rapid-evolution experiments; doomed attempts to alleviate the existential malaise of Sirians ("enfeebled by soft living") via Shikastan work camps. And this experimental era ends only when the entire planet falls under the disastrous influence of planet Shammat, evil incarnate; Sirius gives up on Shikasta completely. Canopus never loses interest, however, and millenia later, altruistic Klorathy of Canopus guides Ambien II back to Shikasta, now dotted with assorted cross-bred civilizations: Utopian Adalantaland, which vanishes beneath the sea when Shikasta suddenly tilts on its axis; the decadent city of Koshi, where Ambien II engages in a good-vs.-evil duel and begins doubting all her Sirian principles; the theocratic slave-state of Grakconkranplatl, where she's taken prisoner; the lovely democracy of Lelanos, which (like all good things, apparently) is doomed to fall away into despair. (Ambien II herself temporarily descends into "Shammat-nature" and leads the spoiling of Lelanos.) And finally, after joining Klorathy in a scheme to avert total Shammat devastation on Shikasta's moon, Ambien II starts denouncing her own Sirian government (a dictatorship in disguise) and winds up "under planet arrest". . . As narrative, Ambien's report is largely unsatisfying—episodic, shapeless, choppy. As a crammed forum of ideas, it's sometimes provocative, more often murky, with distracting, conflicting signals along the way (e.g., Canopus seems to be part Marxism, part God, part Britain). Still, the notion of intellectual awakening—a delicate transformation sometimes illuminated here with dazzling sharpness—is strong enough to pull the whole, challenging, disorganized piece together. Demanding and uningratiating, then, but—like previous Canopus volumes—worth the effort of readers attuned to the very biggest questions.
Pub Date: Jan. 5, 1980
ISBN: 0394751957
Page Count: 308
Publisher: Knopf
Review Posted Online: Sept. 28, 2011
Kirkus Reviews Issue: Jan. 1, 1980
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Andy Weir ‧ RELEASE DATE: Feb. 11, 2014
Sharp, funny and thrilling, with just the right amount of geekery.
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When a freak dust storm brings a manned mission to Mars to an unexpected close, an astronaut who is left behind fights to stay alive. This is the first novel from software engineer Weir.
One minute, astronaut Mark Watney was with his crew, struggling to make it out of a deadly Martian dust storm and back to the ship, currently in orbit over Mars. The next minute, he was gone, blown away, with an antenna sticking out of his side. The crew knew he'd lost pressure in his suit, and they'd seen his biosigns go flat. In grave danger themselves, they made an agonizing but logical decision: Figuring Mark was dead, they took off and headed back to Earth. As it happens, though, due to a bizarre chain of events, Mark is very much alive. He wakes up some time later to find himself stranded on Mars with a limited supply of food and no way to communicate with Earth or his fellow astronauts. Luckily, Mark is a botanist as well as an astronaut. So, armed with a few potatoes, he becomes Mars' first ever farmer. From there, Mark must overcome a series of increasingly tricky mental, physical and technical challenges just to stay alive, until finally, he realizes there is just a glimmer of hope that he may actually be rescued. Weir displays a virtuosic ability to write about highly technical situations without leaving readers far behind. The result is a story that is as plausible as it is compelling. The author imbues Mark with a sharp sense of humor, which cuts the tension, sometimes a little too much—some readers may be laughing when they should be on the edges of their seats. As for Mark’s verbal style, the modern dialogue at times undermines the futuristic setting. In fact, people in the book seem not only to talk the way we do now, they also use the same technology (cellphones, computers with keyboards). This makes the story feel like it's set in an alternate present, where the only difference is that humans are sending manned flights to Mars. Still, the author’s ingenuity in finding new scrapes to put Mark in, not to mention the ingenuity in finding ways out of said scrapes, is impressive.
Sharp, funny and thrilling, with just the right amount of geekery.Pub Date: Feb. 11, 2014
ISBN: 978-0-8041-3902-1
Page Count: 368
Publisher: Crown
Review Posted Online: Dec. 7, 2013
Kirkus Reviews Issue: Dec. 15, 2013
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by Andy Weir ; illustrated by Sarah Andersen
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