Next book

EUROPE ON 5 WRONG TURNS A DAY

ONE MAN, EIGHT COUNTRIES, ONE VINTAGE TRAVEL GUIDE

A genial companion for the armchair traveler.

A clever idea for a travel book, executed engagingly though inconsistently.

Perhaps the first book by Minneapolis-based freelance writer Mack might best be considered a meta–travel book, a book about travel books, one in particular, and how it all but created the all-American practice of tourism while catering to it. The book that inspired this one is Frommer’s Europe on Five Dollars a Day, first published in 1957 and discontinued a half-century later as Europe on $95 a Day). The author found a copy at a book fair, bought it for a dime and discovered that it was something of a talisman for his mother, who used it on her own European travels before marriage. So the author decided to tour Europe using only this ancient, outdated book as a guide, ignoring all updates, successors and the advent of the Internet, doing his best to go, eat and stay where Frommer had advised (knowing that his expenses will extend well past $5 per day). The problem with this concept is that most of those places have closed over the years since the book was published, and the few that remain are either booked (by folks planning ahead with that pesky Internet), radically changed and/or out of Mack’s price reach. The author intersperses his travel adventures (which generally are no more unusual or entertaining than anyone else’s) with notes from his mother’s trip and some higher-concept musing about the impact of Frommer, the changes in travel in general and the changing notion of “tourist” from populist phenomenon to something of an epithet. In the process, Mack offers “cheers, too, to the beaten path; it’s beaten for a reason” and learns “to embrace the cliché.” He writes of Frommer, “he was to travel as Julia Child was to food: the public figure who arrived at just the right cultural moment and said, with a light but nurturing tone, ‘You can do this. It’s not that hard. Here’s how.’ ”

A genial companion for the armchair traveler.

Pub Date: April 3, 2012

ISBN: 978-0-399-53732-5

Page Count: 272

Publisher: Perigee/Penguin

Review Posted Online: Dec. 27, 2011

Kirkus Reviews Issue: Jan. 15, 2012

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview