When a scientist from Los Alamos' nuclear weapon Stockpile Stewardship Team endures a nasty divorce, converts to a jihad religion and then takes hostages in the borough of Queens, it should be no surprise that he's radioactive.
That nightmarish scenario opens the new Preston and Child (Gideon's Sword, 2011, etc.) action-adventure. Dr. Gideon Crews, a Los Alamos physicist reluctantly in service to the mysterious Effective Engineering Solutions, is quickly co-opted into the multi-agency investigation attempting to locate the nuclear weapon supposedly built by the rogue scientist. The ESS's shadowy head, Eli Glinn, assigns Crews to work with Stone Fordyce, a cappuccino-swilling FBI agent liaising with NEST, the federal Nuclear Emergency Support Team. The mismatched pair examine the radiation-poisoned stand-off scene, eavesdrop on radio chatter, discover the site where a bomb was apparently assembled and then escape New York City ahead of the nuclear terrorism panic. They head to Santa Fe and Los Alamos, with a side trip to the mountain lair of a Branch Davidian-like cult, a compound from which the two escape after a bizarre fencing duel involving cattle prods and chain saws. They meet an Italian-American iman, face deadly sabotage as they follow another lead, and then things come a cropper for Crews when jihadist rantings and compromising emails are discovered on his computer. Fordyce and the federal alphabet agencies now suspect Crews too is a terrorist. What follows is a cinematic chase around Los Alamos, with movie set pyrotechnics, hidden tunnels under the nuclear laboratory and outlandish mountaintop escapes from dogs and helicopters, with Crews one step ahead of his pursuers while dragging along Alida Blaine, daughter of a bestselling novelist, as hostage turned accomplice. Like the investigators "drowning in false leads, red herrings, and conspiracy theories," the novel is slow to get underway but once Crews is accused, the action zigzags like an out-of-control rocket toward a double-deceptive conclusion. With sufficient Crews back story to give new readers the low-down, the authors adhere to a winning formula.
Pub Date: Jan. 10, 2012
ISBN: 978-0-446-564373
Page Count: 368
Publisher: Grand Central Publishing
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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