Preston and Child’s (Cold Vengeance, 2011, etc.) thriller completes the Helen trilogy featuring the weird and unworldly Aloysius Pendergast, special agent for the FBI.
The conclusion opens with Pendergast called to meet Helen, the wife he presumed dead, in New York City’s Central Park. There’s a touching, tentative reunion, and then Der Bund strikes again, kidnapping Helen and leaving Pendergast wounded. Pendergast offers a treatise on detection perfection, tracing Helen from hither and yon to Sonora, Mexico. There’s another shootout. Helen’s killed, and principal bad guy, Wulf Konrad Fischer, escapes. Pendergast retreats to his Dakota apartment in New York City and into a grief-and-guilt-driven drug addiction. Friends intervene. Lt. D’Agosta, city police detective, pleads for Pendergast to help search for a serial killer. Corrie Swanson, criminal justice student, is in danger after stumbling on a Nazi safe house in her quest to help Pendergast. With Pendergast’s aid, Corrie takes refuge with her estranged father, only to find him framed for a bank robbery. Psychiatrist Dr. John Felder discovers the institutionalized Constance Greene may truly be a century and a half old. Pendergast, intrigued by the bizarre serial murders, applies DNA analysis, which leads him to think the murderer is his brother Diogenes, a villain supposedly dead in a Sicilian volcano. Further analysis reveals truths even more grotesque. The most simplistic of the narratives follows Corrie clearing her father; the most gothic follows Felder seeking proof of Greene’s age; and the most violent follows Pendergast as he uncovers secrets about Helen and then takes revenge by breaching a Nazi refuge in Brazil. Pendergast’s narrative offers angst and ample bloodletting in gothic locales and confrontations with the issue of Mengele’s twins experiments mated with quantum mechanics and genetic manipulation. If Preston and Child fans haven’t read the first two volumes in the Helen trilogy, confusion will reign.
Pendergast—an always-black-clad pale blond polymath, gaunt yet physically deadly, an FBI agent operating without supervision or reprimand—lurks at the dark, sharp edge of crime fiction protagonists.
