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I LOVE YOU LITTLE, I LOVE YOU LOTS

There’s a lot of love here, and it’s all good.

A love poem, told in dialogue.

“My love for you would fill 10 pots / 15 buckets and 16 cans / 3 teacups and 4 cakepans,” a gray cat informs a brown dog while ladling hot chocolate into the enumerated vessels. The sweet image and statement allude to the unquantifiable nature of love. Earnest pencil and digitally drawn art looks like it could be placed on a refrigerator alongside well-loved handmade notes and drawings. The anthropomorphic animals’ attachment to each other is without label, making for an inclusive tale that just about any caregiver could easily share with little ones at bedtime. At one point, the cat states, “I love you up,” while the dog, suspended in the air while flying a kite, responds, “I love you down / My love for you / can touch the ground”—a page that makes effective use of perspective and movement. Wood and Karas also root the poem in the tangible as the characters reference the rainbow and trains to express their love. There are no bumps in the road here, and some may find the lack of narrative or drama unfulfilling, but most will fall into the declarations heart-first. Fans of Salina Yoon’s Penguin and Pinecone (2012) or Kathryn Cristaldi’s I’ll Love You Till the Cows Come Home (2018), illustrated by Kristyna Litten, will find new companions in these pages. (This book was reviewed digitally.)

There’s a lot of love here, and it’s all good. (Picture book. 3-5)

Pub Date: Nov. 1, 2022

ISBN: 978-0-545-44193-3

Page Count: 40

Publisher: Scholastic

Review Posted Online: Aug. 30, 2022

Kirkus Reviews Issue: Sept. 15, 2022

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PERFECTLY NORMAN

From the Big Bright Feelings series

A heartwarming story about facing fears and acceptance.

A boy with wings learns to be himself and inspires others like him to soar, too.

Norman, a “perfectly normal” boy, never dreamed he might grow wings. Afraid of what his parents might say, he hides his new wings under a big, stuffy coat. Although the coat hides his wings from the world, Norman no longer finds joy in bathtime, playing at the park, swimming, or birthday parties. With the gentle encouragement of his parents, who see his sadness, Norman finds the courage to come out of hiding and soar. Percival (The Magic Looking Glass, 2017, etc.) depicts Norman with light skin and dark hair. Black-and-white illustrations show his father with dark skin and hair and his mother as white. The contrast of black-and-white illustrations with splashes of bright color complements the story’s theme. While Norman tries to be “normal,” the world and people around him look black and gray, but his coat stands out in yellow. Birds pop from the page in pink, green, and blue, emphasizing the joy and beauty of flying free. The final spread, full of bright color and multiracial children in flight, sets the mood for Norman’s realization on the last page that there is “no such thing as perfectly normal,” but he can be “perfectly Norman.”

A heartwarming story about facing fears and acceptance. (Picture book. 3-5)

Pub Date: May 1, 2018

ISBN: 978-1-68119-785-2

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: March 3, 2018

Kirkus Reviews Issue: March 15, 2018

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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