by Doyle W. Jones ‧ RELEASE DATE: Oct. 4, 2013
A feel-good memoir about rural values and the lost practice of conversation.
A concise memoir recalls small-town life in Arkansas in the 1950s and ’60s.
The corner ESSO station in Jones’ hometown of Carthage, Ark., connected Main Street, the sawmill and surrounding farms. More importantly for Jones, the station also connected the community. It brought folks together to retell and embellish the week’s events, discuss politics and the changing times, and have a laugh. As a boy and teen, Jones spent a lot of time at the station, listening and “soaking up all the knowledge I was exposed to by being there.” The station functions as a cornerstone in Jones’ debut memoir, too. He portrays small-town Arkansas—the school, churches, local elections, hunting and haying—by recalling conversations over the ESSO lunch counter or near the hydraulic car lift. Jones covers a range of topics but is most poignant when describing the poverty that united the town even in an era of segregation. Poverty “transcended age differences, racial lines, and even religious beliefs,” he writes. In one anecdote, the town’s largest grocery store burns to the ground, destroying hundreds of credit records. There’s speculation on the money lost, but Jones later discovers that everyone paid what they owed or more, including “[o]verpayments by most folks who didn’t have two nickels to rub together….The locals displayed that type of giving all my life.” Other stories might seem impolitic by today’s standards. For example, Jones tells how patients from the local psychiatric hospital—or Nervy Hospital, as it was called—were hired to haul hay one year; the tractor operators found their ineptitude hilarious and sent the patients back to the hospital. Throughout his memoir, however, Jones reminds readers that he tells of different, tougher and less complicated times. He’s nostalgic for the days when tales were told face to face, before email and text messages, days when community and hard work mattered. The corner station still stands in Carthage, Jones says, “a monument to a happier and simpler time.”
A feel-good memoir about rural values and the lost practice of conversation.Pub Date: Oct. 4, 2013
ISBN: 978-1482583311
Page Count: 108
Publisher: CreateSpace
Review Posted Online: Jan. 8, 2014
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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