by Dustin Thao ‧ RELEASE DATE: Sept. 3, 2024
A genuinely shocking reveal isn’t enough to save this book.
A grief-stricken Chicago teen finds solace in a meet-cute romance.
After his best friend, Daniel, passes away, Eric finds his life completely uprooted. Instead of attending his first year of college, he fills his days working to avoid his grief, first at a catering company, then in the box office of a prestigious theater. Through frequent flashbacks, Eric’s crush on Daniel plays out alongside their school trip to Japan, where he met the handsome Haru. The two spontaneously wandered together, attending a Star Festival commemorating forbidden lovers. Eric was devastated when he lost Haru’s phone number. Back in the present day, after his sister, Jasmine, announces that she’s leaving for Amsterdam, Eric spirals further. His only solace is Haru’s magical reappearance. As Eric spends time with Haru, he slowly regains his interest in life and filming the world around him. The novel unfortunately requires an immense amount of suspension of disbelief from readers. While the film references and the themes of family and love are intriguing, Haru’s presence detracts from the overarching exploration of grief, and the romance is meandering and difficult to believe in, although it does offer an intriguing commentary on the meet-cute trope. Fortunately, the major plot twist manages to be completely surprising without feeling random, and it brings Eric’s character arc full circle. Eric is Vietnamese American; Daniel is Colombian and white, and Haru is Japanese.
A genuinely shocking reveal isn’t enough to save this book. (Romance. 14-18)Pub Date: Sept. 3, 2024
ISBN: 9781250762061
Page Count: 304
Publisher: Wednesday Books
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
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by Laura Nowlin ‧ RELEASE DATE: April 1, 2013
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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SEEN & HEARD
by Kerri Maniscalco ‧ RELEASE DATE: Sept. 20, 2016
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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