A fun, laugh-out-loud journey through a child’s imagination with wacky illustrations—a delight for all.
A young girl takes her family along for a wild ride through her imagination as she dreams up increasingly weird—and hilarious—scenarios.
An unnamed little girl sits at the dinner table with her family. As her mother urges her to eat, the girl instead asks questions that always begin with the prompt, “Would it be weird….” For example, she wonders, “Would it be weird if my mouth was a piano? And then, every time I brushed my teeth, everyone would cheer and clap!” In response to these increasingly elaborate questions, the girl’s mother is always ready with a response: “Yes, that wouldbe weird…. Wewould be so proud of you! We would even find a dentist who fixes pianos.” After the little girl, who has medium brown skin and bright green eyes, exhausts her mother with her questions (that involve everything from sharks in an epic dance battle to Egyptian mummies in pursuit to alien makeovers), she gets ready for bed and realizes she has one more question…but this time, for her dad. Epelbaum’s illustrations include bold lines and bright colors, giving the book an almost comic book–style flair that’s endearingly absurd (like the family dog using its eye lasers to blast a giant anthropomorphic slice of pizza). Both the text and illustrations infuse the story with a joyous feeling. It’s ultimately an exuberant ode to childhood, creativity, and family, and a pleasure to read for kids and adults.
A fun, laugh-out-loud journey through a child’s imagination with wacky illustrations—a delight for all.Pub Date: March 26, 2024
ISBN: 9781961166035
Page Count: 38
Publisher: Nextcore
Review Posted Online: Nov. 27, 2024
Kirkus Reviews Issue: Jan. 15, 2025
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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