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PRESTO CHANGE-O

A BOOK OF ANIMAL MAGIC

While it’s a less-than-perfect offering, preschoolers who crave gimmicks to manipulate will enjoy giving this one a whirl,...

Through the twist of paperboard flaps, objects are transformed.

The action is on the right-hand pages. A man’s top hat reveals a bird hiding underneath; a salad bowl flips upside down to become a turtle. Across the spread, rhyming couplets describe the transformation. The majority of these paper-engineering magic tricks will enchant children, but some of these metamorphoses feel a bit forced; the clock that morphs into an owl requires the twisting of seven separate flaps and does not end up looking much like the nocturnal bird. Manceau’s flat, Lois Ehlert–like graphics in a dark and highly saturated palette are eye-catching, although the almost entirely black rocket/penguin is too dark against a navy blue background. The poetry is also uneven, including some delightful lines mixed in with forced analogies and lines that don’t scan. The final two pages provide before-and-after pictures of each switch as a helpful guide. The back of this board book bears a large choking-hazard warning for children under 3, but since the verse is sophisticated and the manipulations require more dexterity than the average toddler possesses, the package is more appropriate for older kiddos anyway.

While it’s a less-than-perfect offering, preschoolers who crave gimmicks to manipulate will enjoy giving this one a whirl, literally. (Board book. 3-5)

Pub Date: March 25, 2014

ISBN: 978-2-8480-1944-4

Page Count: 20

Publisher: Twirl/Chronicle

Review Posted Online: March 16, 2014

Kirkus Reviews Issue: July 1, 2014

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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THE THREE LITTLE SUPERPIGS AND THE GINGERBREAD MAN

Superheroes, and readers, will live happily-ever-after.

Why have fairy tales lasted so long? Maybe it’s because they change with every teller.

It takes surprisingly little effort to turn the Three Little Pigs into superheroes. The Big Bad Wolf basically started out as a supervillain, with the ability to blow a house down, and the pigs had to perform spectacular feats to outwit him. In this picture book, the wolf, locked in the Happily Never After tower, devises a plot to escape. Using rotten eggs and spicy ginger, he creates the Gingerbread Man, who makes his way to a baking contest where the three pigs and other fairy-tale characters are competing to win the key to the city. The Gingerbread Man grabs the key, and not even superhero pigs are fast enough to catch him, but with their secret weapon—mustard (which one of the pigs also uses to bake cookies)—they save the day. The morals: Evil never triumphs, and mustard cookies are delicious. The book’s charm is in the details. There are splotches of mustard on the cookies featured on the endpapers, and a sly-looking mouse is hiding on many of the pages. The story even manages to include more than a dozen fairy-tale figures without seeming frenzied. Evans’ use of shading is so skillful that it almost seems possible to reach out and touch the characters. Most of the human characters are light-skinned. (This book was reviewed digitally.)

Superheroes, and readers, will live happily-ever-after. (Picture book. 3-5)

Pub Date: Sept. 6, 2022

ISBN: 978-1-338-68221-2

Page Count: 40

Publisher: Scholastic

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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