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STALIN

A remarkable and gripping biography that may change the way we view Stalin and will certainly change many of the interpretations of his life. Based on unprecedented access to a range of archives, including the President's Archive, the Central Party Archive, and some KGB files, as well as interviews with survivors, Radzinsky (The Last Tsar, 1992) has created a stunning portrait of a man who falls outside most of the normal human categories. Radzinsky's most significant contribution is to suggest that Stalin, in shedding the lives of untold millions, was following the prescripts of his ``teachers'': of revolutionary writers like Peter Tkachev and Bakunin, who believed that to create a new society ``the majority of the population must be exterminated''; of Trotsky, whose books advocating terror and revolutionary violence, found in the Party Archive, bear enthusiastic annotations in Stalin's hand; and of Lenin, who held the view that ``at some critical stage every generation of revolutionaries becomes a hindrance to the further development of the idea which they have carried forward,'' a view that may have served to justify the destruction of hundreds of thousands of party members in the 1930s. Radzinsky also clarifies much that has been uncertain. He penetrates Stalin's efforts to obscure his origins, and reveals that his mother lived in a palace, chiding her son and steadfastly refusing to visit him in Moscow; he suggests that, prior to the Civil War, Stalin, acting on Lenin's instructions, was probably a tsarist double agent; he adduces evidence that Stalin did not poison Lenin, who died of atherosclerosis; he reveals conclusively that Stalin ``personally staged the [show] trials'' of the 1930s; and indicates that he himself was probably poisoned by his police chief, Beria. At times too rhetorical, and not always clear in its use of sources, Radzinsky's book is, in the fullest sense of the word, a tour de force. (50 b&w photos, not seen)

Pub Date: April 1, 1996

ISBN: 0-385-47397-4

Page Count: 560

Publisher: Doubleday

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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