If pared down to its essential storyline, this heartfelt tale of a young boy’s pain and reluctance to make connections could...
In Fontánez’s (On this Beautiful Island, 2004, etc.) illustrated novel, Mateo, a troubled young boy reared in Puerto Rico, returns briefly, but eventfully, to his grandparents’ small island community.
At 12, Mateo is devastated by the death of his young mother, Minerva. The family, divided between the city and the country town of Palo Verde, has attempted to maintain the fiction that Mateo’s mother is actually his widowed aunt Maria. His grandfather forced Minerva to leave their home when, at 14, she became pregnant with Mateo. It’s unclear when Mateo discovered who his biological mother was since he refers to both women by their first names and mourns the untimely death of Minerva with an intensity that nearly destroys his other relationships. Many of the emotions the humans feel appear to be transferred to other creatures: cats, ghosts and even the plant life in the island’s thick forests. Soon after Minerva’s death, Mateo travels to Palo Verde to reconnect with his grandparents and gain some perspective on his loss. Feeling betrayed by his family, he responds to everyone with fury and attempts to shield himself from further pain with pledges to never love again. He crosses paths with a stray cat, whose tragic story is intended to evoke as much sympathy as Mateo’s. The cat’s traumatic odyssey weaves together the same characters and objects most significant to Mateo—Minerva; his best friend, Sergio; the forest creatures; an orange tree; an abusive psychotic and his son; and a magic crystal. But the story of the young boy’s loss is compelling enough without all the touches of magical realism, the constant jumps from past to present, and questionably profound truths: “a tree never forgets an act of kindness,” or “that indomitable law of Nature, bad things come in threes.” The black-and-white drawings, which appear every few pages, are occasionally endearing and impressive but do little to advance or clarify the plot.
If pared down to its essential storyline, this heartfelt tale of a young boy’s pain and reluctance to make connections could form an instructive, charming story for younger readers.Pub Date: April 1, 2014
ISBN: 978-0-9831891-6-9
Page Count: 330
Publisher: Exit Studio
Review Posted Online: Dec. 12, 2013
Review Program: Kirkus Indie
In more ways than one, a tale about young creatures testing their wings; a moving, entertaining winner.
A fifth-grade New Orleans girl discovers a mysterious chrysalis containing an unexpected creature in this middle-grade novel.
Jacquelyn Marie Johnson, called Jackie, is a 10-year-old African-American girl, the second oldest and the only girl of six siblings. She’s responsible, smart, and enjoys being in charge; she likes “paper dolls and long division and imagining things she had never seen.” Normally, Jackie has no trouble obeying her strict but loving parents. But when her potted snapdragon acquires a peculiar egg or maybe a chrysalis (she dubs it a chrysalegg), Jackie’s strong desire to protect it runs up against her mother’s rule against plants in the house. Jackie doesn’t exactly mean to lie, but she tells her mother she needs to keep the snapdragon in her room for a science project and gets permission. Jackie draws the chrysalegg daily, waiting for something to happen as it gets larger. When the amazing creature inside breaks free, Jackie is more determined than ever to protect it, but this leads her further into secrets and lies. The results when her parents find out are painful, and resolving the problem will take courage, honesty, and trust. Dumas (Jaden Toussaint, the Greatest: Episode 5, 2017, etc.) presents a very likable character in Jackie. At 10, she’s young enough to enjoy playing with paper dolls but has a maturity that even older kids can lack. She’s resourceful, as when she wants to measure a red spot on the chrysalegg; lacking calipers, she fashions one from her hairpin. Jackie’s inward struggle about what to obey—her dearest wishes or the parents she loves—is one many readers will understand. The book complicates this question by making Jackie’s parents, especially her mother, strict (as one might expect to keep order in a large family) but undeniably loving and protective as well—it’s not just a question of outwitting clueless adults. Jackie’s feelings about the creature (tender and responsible but also more than a little obsessive) are similarly shaded rather than black-and-white. The ending suggests that an intriguing sequel is to come.
In more ways than one, a tale about young creatures testing their wings; a moving, entertaining winner.Pub Date: Nov. 11, 2017
ISBN: 978-1-943169-32-0
Page Count: 212
Publisher: Plum Street Press
Review Posted Online: Feb. 22, 2018
Kirkus Reviews Issue: April 15, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A YA novel that treats its subject and its readers with respect while delivering an engaging story.
In the ninth book in the Bluford young-adult series, a young Latino man walks away from violence—but at great personal cost.
In a large Southern California city, 16-year-old Martin Luna hangs out on the fringes of gang life. He’s disaffected, fatherless and increasingly drawn into the orbit of the older, rougher Frankie. When a stray bullet kills Martin’s adored 8-year-old brother, Huero, Martin seems to be heading into a life of crime. But Martin’s mother, determined not to lose another son, moves him to another neighborhood—the fictional town of Bluford, where he attends the racially diverse Bluford High. At his new school, the still-grieving Martin quickly makes enemies and gets into trouble. But he also makes friends with a kind English teacher and catches the eye of Vicky, a smart, pretty and outgoing Bluford student. Martin’s first-person narration supplies much of the book’s power. His dialogue is plain, but realistic and believable, and the authors wisely avoid the temptation to lard his speech with dated and potentially embarrassing slang. The author draws a vivid and affecting picture of Martin’s pain and confusion, bringing a tight-lipped teenager to life. In fact, Martin’s character is so well drawn that when he realizes the truth about his friend Frankie, readers won’t feel as if they are watching an after-school special, but as though they are observing the natural progression of Martin’s personal growth. This short novel appears to be aimed at urban teens who don’t often see their neighborhoods portrayed in young-adult fiction, but its sophisticated characters and affecting story will likely have much wider appeal.
A YA novel that treats its subject and its readers with respect while delivering an engaging story.Pub Date: Jan. 1, 2004
ISBN: 978-1591940173
Page Count: 152
Publisher: Townsend Press
Review Posted Online: Jan. 26, 2013
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
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