by Elaine Bickell ; illustrated by Raymond McGrath ‧ RELEASE DATE: Aug. 6, 2024
A real treat, ready to be swept up from Halloween-display shelves.
The creators of The Little Ghost Who Lost Her Boo! (2020) tell the story of a witch who must consider other transport options when her standard vehicle disappears.
Little Witch can’t wait to ride her broom during the full moon tonight. She goes to dust it off, but it’s gone. She searches everywhere, even in her cauldron. The witch must find the broom before moonrise. Accompanied by her cat, Gloom, Little Witch takes to the streets. “Maybe a scooter’s as good as a broom?” But when she realizes Gloom won’t fit, she concludes, “A witch with no cat, / it’s just not right. / I cannot ride / a scooter tonight.” She test-drives a bike, a digger, and a train but ultimately rejects each one; each time, Bickell employs a variation on the earlier rhyme. What’s a witch to do? In a metafictive final twist, Little Witch gazes out at readers from the book and asks if they know where her broom is. Yes, they do (thanks to the illustrated hint). Children will enjoy this lively, unusual Halloween story, first published in New Zealand, and will particularly appreciate the unexpected, interactive ending. The tale is told in serviceable but somewhat clunky verse; the illustrations incorporate onomatopoeic sound effects. McGrath’s graceful artwork is populated by mummies, ghosts, and other sweetly scary creatures. Expressive, bespectacled Little Witch is light-skinned.
A real treat, ready to be swept up from Halloween-display shelves. (Picture book. 4-7)Pub Date: Aug. 6, 2024
ISBN: 9780593692387
Page Count: 40
Publisher: Flamingo Books
Review Posted Online: May 4, 2024
Kirkus Reviews Issue: June 1, 2024
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by Elaine Bickell ; illustrated by Raymond McGrath
by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 23, 2022
Chilling in the best ways.
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When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.
Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)
Chilling in the best ways. (Picture book. 4-7)Pub Date: Aug. 23, 2022
ISBN: 978-1-5344-6588-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
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by Aaron Reynolds ; illustrated by Cam Kendell
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by Aaron Reynolds ; illustrated by Cam Kendell
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PERSPECTIVES
by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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