An intriguing but less propulsive entry in an unusually robust year for linguistic thrillers.
The world reels with shock and dismay when an entire generation of children is born without the ability to create or comprehend language.
It should be interesting to see how this strange dystopian voyage, composed by a talented triptych of writers, is interpreted by readers who don’t know its innovative origins. This is the analog version of a reportedly addictive digital application of the same name that originally published one story a day; it takes the form of an oral history of the first 30 years of a modern plague that leaves otherwise normal children without the ability to speak, read or write. Clearly borrowing heavily from Max Brooks’ World War Z, this semi-anthology doesn’t include one of the original app’s more interesting features: location-based field reports that could only be activated at certain GPS locations. That being the case, one might expect to find a tighter, more cohesive plotline; but the rambling, episodic and extremely brief natures of its dated entries make it hard to become absorbed in its narrative arc. The first half is very much social commentary, with the linguistic nonconformity of the “silents” standing in for the growing ranks of children with autism and highlighting the well-worn bigotry that emerges around those who are different (dubbed here “mutetards” by the ignorant). Many of the early stories are less compelling—the parents who wish so dearly to have the “normal” children they were expecting; teachers who struggle to reach students who can understand math or art but not their instructions; and the scientists delving into the mysterious origins of the illness. It’s not until forces start to shape the silent generation that the novel gets very interesting indeed. We learn that the children are evolving their own forms of nonlinguistic communication at the same time scientists start using neural implants to “cure” the silent, who may not be so eager to play along.
An intriguing but less propulsive entry in an unusually robust year for linguistic thrillers.Pub Date: June 10, 2014
ISBN: 978-0-374-53447-9
Page Count: 528
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 16, 2014
Kirkus Reviews Issue: May 1, 2014
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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