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PARTY IN THE BLITZ

THE ENGLISH YEARS

A fresh and color-drenched memoir by an artist unafraid to offend.

Vivid portraits, affectionate but unsparing, of people encountered by Nobel laureate Canetti (Notes from Hampstead, 1998, etc.) while living in England.

Canetti (1905–94) was very social, and he encountered a good swathe of personalities from the moment he arrived in England in 1939. He found warmth, sensitivity and integrity in the ordinary folks who swept streets and rented rooms. He was less taken with the artists, intellectuals, politicians and aristocrats who constituted the bulk of his acquaintance (and a cross-section of England’s hierarchy). T.S. Eliot represented for Canetti all that was thin-lipped, cold-hearted and prematurely old in British life. Of Eliot’s fame, he writes, “Is it possible ever to repent sufficiently of that?” He was just as judgmental about Iris Murdoch, though she had been his occasional lover: “Iris is what I would call an ‘illegitimate’ writer. She never suffered from having to write.” Recounting his associations with a panorama of English characters, Canetti is by turns a memoirist, satirist and anthropologist. The volcanic emotions expressed here are perhaps best understood as his response to the chilliness of British manners. He hated the polite, implacably hierarchal laws of English society, a stance that allowed him to admire Conservative MP Enoch Powell’s passion while stating that “I don’t know that I have ever encountered anyone quite so antithetical to everything I stand for.” He found more common ground with thoughtful eccentrics like the inventor Geoffrey Pyke and the Orientalist Arthur Waley. Before leaving for Zurich in 1984, Canetti got off a final salvo, this one at Margaret Thatcher’s government: “the claque of the apostles of selfishness.”

A fresh and color-drenched memoir by an artist unafraid to offend.

Pub Date: Sept. 30, 2005

ISBN: 0-8112-1636-5

Page Count: 208

Publisher: New Directions

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2005

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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