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SUMMERLAND

Despite some well-worn plot expedients and an unduly preachy denouement, a sensitive glimpse into the lives of damaged...

Hilderbrand’s latest Nantucket-based tale details the impact of a tragic accident on three families.

Penelope Alistair and her twin brother, Hobson, are the golden juniors of Nantucket High. Penny, gifted with a beautiful voice, is destined for Broadway or the Met, and Hobby is a star athlete. Both are being courted by elite colleges, to the satisfaction and trepidation of their mother, Zoe, a CIA-trained chef who raised them alone. Driving Hobby, Jake and another friend, Demeter, home from a beach party, Penny goes berserk at the wheel of her boyfriend Jake’s Jeep and speeds off a dead-end road. Penny is killed instantly, and Hobby hovers in a coma for days before awakening to injuries that will dash his athletic ambitions. Jake and Demeter are unscathed, at least physically. Alcoholic, overweight Demeter harbors guilt over something she said to Penny that enraged her. What exactly set Penny off becomes the key mystery of the novel. Jake fears that Demeter told Penny that another girl came on to him. Hobby fears Demeter spread a rumor that his prom date, Claire, is pregnant with his child. Demeter cannot bear to contemplate her indiscretion and instead concentrates on staying drunk, quite a challenge around her socially prominent, sober parents. Her summer job with a lawn crew enables her to pilfer premium liquor from well-heeled Nantucket dwellers who don’t lock their doors. Zoe withdraws from her friends, dedicating herself to Hobby’s recovery. Jake’s father, Jordan, removes him and his mother, Ava, to Ava’s native Perth, Australia. Jordan’s motives are mixed: Ava has longed to return home, and Jake needs a fresh start free of traumatic associations, but Jordan’s main intent is to distance himself from Zoe, his lover since his marriage to Ava foundered over the crib death of Jake’s infant brother. 

Despite some well-worn plot expedients and an unduly preachy denouement, a sensitive glimpse into the lives of damaged people groping their way toward healing.

Pub Date: June 26, 2012

ISBN: 978-0-31-609983-7

Page Count: 400

Publisher: Reagan Arthur/Little, Brown

Review Posted Online: April 28, 2012

Kirkus Reviews Issue: June 1, 2012

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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