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ZEEE

First published in 1965, an entrancing story about a "bad fairy" who's really "bad about only one thing": people. But bumblebee-sized Zeee has ample provocation: each time she sets up her delectably described, Borrower-style housekeeping—under a dock leaf, in an old pail on the beach, or in an empty wasp's nest—people, who can't see her, blunder in and destroy her home. Her retaliation is poetically just: e.g., her friends the moles dig up the immaculate lawn of the man who thought her dock-leaf roof was a weed. In the end, a little girl named Pandora does see Zeee, suggests that her name could be Hope, and offers a home; but it's the details along the way, not the tidy conclusion, that give the story its considerable charm—nicely echoed in Gaber's bright new watercolors, where tiny Zeee is appropriately diaphanous and baleful and the landscape and other inhabitants (like a cat that wonders whether Zeee "tastes like bird") are viewed intriguingly from her perspective. An appealing new presentation. (Fiction/Picture book. 6-10)

Pub Date: April 1, 1993

ISBN: 0-15-299958-2

Page Count: 48

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1993

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WILD, WILD WOLVES

At ``Step 2'' in the useful ``Step into Reading'' series: an admirably clear, well-balanced presentation that centers on wolves' habits and pack structure. Milton also addresses their endangered status, as well as their place in fantasy, folklore, and the popular imagination. Attractive realistic watercolors on almost every page. Top-notch: concise, but remarkably extensive in its coverage. A real bargain. (Nonfiction/Easy reader. 6-10)

Pub Date: April 1, 1992

ISBN: 0-679-91052-2

Page Count: 48

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1992

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RIVER STORY

Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)

Pub Date: June 1, 2000

ISBN: 0-7636-0792-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

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