A strong gathering of literary essays from a leading American critic and public intellectual. In her fourth collection of essays (after Bartleby in Manhattan, 1983, etc.)—all of which have been previously published in the New York Review of Books and other such venues—Hardwick trains her gaze on American writers and books. Among the categories of inclusion are “Old New York” (Edith Wharton and Henry James); “Americans Abroad” (Gertrude Stein, Margaret Fuller, Djuna Barnes); and “Fictions of America” (Richard Ford, Philip Roth, John Cheever, John Updike, and Joan Didion); and Hardwick rounds out her collection with an uncategorizable critique of televangelists from the South. Her particular strength, though, lies in the literary. She has known personally many of these writers, both living and dead. This may explain why one senses special pleading in a few cases. Her essays on John Updike, John Cheever, Philip Roth, and Richard Ford are deeply perceptive and beautifully written, but when it comes to Joan Didion, Hardwick seems to be making the best of a bad situation. Her insights are in this instance less compelling, perhaps because she can’t quite persuade herself or her reader that Didion’s novels hold up under the severest scrutiny. Hardwick’s particular strength is her casual-sounding yet deadly accurate language. In her essay on Elizabeth Bishop she writes: “Nothing is more striking to me than the casual prose of poets, with its quick and dashing informality, its mastery of the sudden and offhand, the free and thrown away.” This gracefully iambic passage describes (and embodies) one of the many virtues of her own prose, and it explains why reading her is such a pleasure. And, finally, anyone who doesn—t yet know what a weird national phenomenon Vachel Lindsay was should read that essay first. Taken together, these essays constitute a vivid reflection of American literary culture in the imagination of one of our most urbane critics.
Pub Date: July 1, 1998
ISBN: 0-375-50127-4
Page Count: 352
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1998
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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