Effective, in an ugly sort of way.
In Haynes’ debut, a woman is stalked by the former lover who nearly killed her.
Because of a dual time frame that introduces us to twitching, OCD- and PTSD-plagued Catherine Bailey in the fall of 2007 and then pulls back to 2003, we know that the gorgeous, too-good-to-be-true guy she meets in a bar on Halloween is…too good to be true. So the suspense, such as it is, comes from 1) waiting to find out exactly what horrible injuries Lee Brightman inflicted that got him jailed, and 2) how long it will take him to find Cathy, relocated from Lancaster to London, once he is released on December 28. The author plausibly traces Cathy’s evolution from feisty party girl to paralyzed victim too terrified to do anything but wait for the next blow or knife slash—and it’s a nasty twist that smooth-talking Lee has persuaded all her girlfriends that she’s a neurotic self-cutter inexplicably trying to reject the man who truly loves her. The arrival in Cathy’s present-day life of gentle psychologist Stuart Richardson, who refers her to doctors to treat her disorders and builds up her self-esteem, is plausible enough, though Stuart is the kind of totally understanding character who exists only in novels to heal the heroine and be bonked on the head by the villain. Readers are basically turning the pages until they get to the big denouements: the gory final scene of abuse, which in real life would likely have ended with Cathy’s death; and the climactic confrontation in which we hope she will inflict equally gory retribution. (Don’t worry.) Haynes clearly intends this to be a tale of female empowerment, but it’s really just another revenge fantasy. And the ending, which dangles the possibility of a sequel, is a cheap shot.
Effective, in an ugly sort of way.Pub Date: July 1, 2012
ISBN: 978-0-06-219725-2
Page Count: 416
Publisher: Harper/HarperCollins
Review Posted Online: April 22, 2012
Kirkus Reviews Issue: May 1, 2012
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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