Simply gorgeous illustrations adorn a poetic boy-and-his-dad story. Jake’s Daddy wakes him just before dawn, as he’s curled up in his sleeping bag next to the campfire Daddy’s tending. Jake is not sure he’s ready, but Daddy thinks he is. He tries once (too hard) and once more (too soft) but then Jake is whistling softly as little creatures watch. The birds begin to sing, the last star winks out, and Daddy joins Jake in whistling, as the sun comes up. “We whistled up the sun.” This tender story of a family ritual unfolds to the full-page images from Hines, who makes her pictures in quilts. Every single piece of fabric is perfect, from the hand-painted sky fabrics to the rough-textured plaids of Jake and Daddy’s shirts. Her shapes, forms, and patterns are elegantly chosen and pieced seamlessly to make pictures that richly repay repeated examination. She supplies a fascinating two pages of detailed description as to how she made the illustrations. Children will be entranced by the unaffected sweetness and gentle rhythms of both story and pictures and their magical sense of family love and devotion to the natural world. (Picture book. 4-8)
Pub Date: April 1, 2003
ISBN: 0-06-050235-5
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 1, 2003
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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