Splendid tales that illuminate a bygone era’s darker corners.
Eighteen tales of gaslamp fantasy, that is, historical fantasy set in an alternate 19th century where magic worked or supernatural events occurred, together with an extensive and informative introduction from editor Windling tracing historical roots and adding context.
A majority of the tales here use historical events or biography as their foundation. Delia Sherman, then, portrays Queen Victoria as a highly effective wizard. Genevieve Valentine probes a highly unsavory aspect of London’s 1851 Great Exhibition. Elizabeth Wein spins a tale of writer-designer William Morris and artist Edward Burne-Jones. Kaaron Warren writes movingly of a house where unwanted women are confined and how they gain revenge. Dale Bailey takes an actual case of spiritualism and fakery and demonstrates how it is not always clear which is which. Veronica Schanoes strikes sparks both real and figurative in her account of the unionization of the all-female workforce at a lucifer-match factory. And Jane Yolen reimagines the relationship between Prime Minister Benjamin Disraeli and Queen Victoria. Other tales take their inspiration from Victorian literature. Catherynne M. Valente, for instance, revisits the fantasies of the Brontë children. Tanith Lee offers a steampunk variant on the Frankenstein’s Monster theme. In Gregory Maguire’s continuation of A Christmas Carol, Scrooge marries and has children, and Tiny Tim’s life takes an unexpected turn. And Theodora Goss offers up an existential literary-games scenario à la Jasper Fforde. Elsewhere (via Jeffrey Ford, Ellen Kushner and Caroline Stevermer, Maureen McHugh, Kathe Koja, Elizabeth Bear, James P. Blaylock and Leanna Renee Hieber), the fiction is purer, the surprises no less welcome.
Splendid tales that illuminate a bygone era’s darker corners.Pub Date: March 19, 2013
ISBN: 978-0-7653-3227-1
Page Count: 352
Publisher: Tor
Review Posted Online: Jan. 19, 2013
Kirkus Reviews Issue: Feb. 1, 2013
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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BOOK TO SCREEN
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