Readers devour Hopkins regardless, but this is strong and worthy.
Almost six months after his younger brother’s suicide, a high school senior slogs through tangled resentment and guilt.
Matt’s world has never been rich with happiness, what with his cold parents who retreat “to their separate alcohol-soaked / corners.” Dad bitterly rues the one-night stand that created Matt and forced the marriage; their house “is a sponge, / absorbing regret until it can hold / no more and disillusionment drips // through the bloated pores.” Now Matt shoulders his own crushing regret. Luke was three years younger—Matt should have protected him from the homophobic and religious bullies; he should have told adults how depressed Luke was, even sneaking Mom’s Prozac, which can be dangerous for teens. He definitely shouldn’t have been distracted by his girlfriend on Luke’s last, desperate day. Now that very girlfriend seems to be “trading [Matt] in // for Jesus.” The sturdy, fast-reading free-verse poems—which sometimes shift into elegance—give a heavy sense of Matt’s anger and discomfort, as well as how he vacillates between decency and churlishness. Themes of combat-induced PTSD, Christian fundamentalist bigotry, forgiveness, and foreshadowed violence integrate deftly. The climax surprises in the best way. Brief but explicit acknowledgement of the It Gets Better campaign (and why it didn’t help Luke) grounds the contemporary setting.
Readers devour Hopkins regardless, but this is strong and worthy. (Verse fiction. 14-18)Pub Date: Aug. 26, 2014
ISBN: 978-1-4424-8284-5
Page Count: 560
Publisher: McElderry
Review Posted Online: June 9, 2014
Kirkus Reviews Issue: July 1, 2014
Compelling and evocative: a must-read.
A 17-year-old guardian of the memories of recently deceased young people questions her purpose in the latest from National Book Award finalist McBride.
The Keepers stay in their Leaving Rooms, ushering Leavers through this liminal space between life and death. Gospel, a Keeper who struggles with following rules, prides herself on providing Leavers with meals made of loving memories and cares for the souls during their precious four minutes with her. Tending to children who have just died, Gospel takes each one’s “best memory,” often involving a meal, and places it in one of the mason jars that line her bookshelves, which are “made from living trees.” Some of the Leavers haunt Gospel, their presences creating lasting memories for her—5-year-old Maple and 8-year-old Suvi, in particular (readers later learn the reason behind their significance). As Gospel struggles with the weight of her role, Melodee, who’s also a Keeper, enters her Leaving Room, breaking another rule. Their connection is instantaneous; “I didn’t know Keepers / could feel love,” Gospel observes—and she wonders whether her existence might hold more meaning. McBride is a master of verse, weaving lines with emotion and character development, articulating pain and hope with an economy of words, and documenting Black lives with tenderness. Reverberating with a haunting trauma, this powerful narrative is packed with Black joy, queer love, and feminist defiance.
Compelling and evocative: a must-read. (author’s note, playlist) (Verse fiction. 14-18)Pub Date: Oct. 14, 2025
ISBN: 9781250908087
Page Count: 224
Publisher: Feiwel & Friends
Review Posted Online: June 13, 2025
Kirkus Reviews Issue: July 15, 2025
A standing ovation.
Tackles family secrets, toxic masculinity, and socio-economic differences with incisive clarity and candor.
Camino Rios lives in the Dominican Republic and yearns to go to Columbia University in New York City, where her father works most of the year. Yahaira Rios, who lives in Morningside Heights, hasn’t spoken to her dad since the previous summer, when she found out he has another wife in the Dominican Republic. Their lives collide when this man, their dad, dies in an airplane crash with hundreds of other passengers heading to the island. Each protagonist grieves the tragic death of their larger-than-life father and tries to unravel the tangled web of lies he kept secret for almost 20 years. The author pays reverent tribute to the lives lost in a similar crash in 2001. The half sisters are vastly different—Yahaira is dark skinned, a chess champion who has a girlfriend; Camino is lighter skinned, a talented swimmer who helps her curandera aunt deliver neighborhood babies. Despite their differences, they slowly forge a tenuous bond. The book is told in alternating chapters with headings counting how many days have passed since the fateful event. Acevedo balances the two perspectives with ease, contrasting the girls’ environments and upbringings. Camino’s verses read like poetic prose, flowing and straightforward. Yahaira’s sections have more breaks and urgent, staccato beats. Every line is laced with betrayal and longing as the teens struggle with loving someone despite his imperfections.
A standing ovation. (Verse novel. 14-18)Pub Date: May 5, 2020
ISBN: 978-0-06-288276-9
Page Count: 432
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
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