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THE STILL POINT OF THE TURNING WORLD

A beautiful, searing exploration of the landscape of grief and a profound meditation on the meaning of life.

A passionate, potent chronicle of the author’s last months with her son.

In January 2010, Rapp (Creative Writing and Literature/Santa Fe Univ. of Art and Design; Poster Child: A Memoir, 2007) learned that her firstborn, 9-month-old son, Ronan suffered from Tay-Sachs, a fatal degenerative disease, and would likely die by age 3. The Rapps had been concerned that Ronan's development was retarded; although he was an alert, happy child, he neither walked nor spoke. The author describes her moving struggle to make each day spent with her son memorable and to savor her ability to mother during the time remaining. She also considers her son's disability in light of her own congenital deformity that led to the amputation of her left leg. Though her disability goaded her to overcome all obstacles, such a path did not exist for her son. Her love for Ronan was unconditional and profound and otherworldly. In contrast to the expectations of ordinary parents, she and her son inhabited “a magical world…where there were no goals, no prizes to win, no outcomes to monitor.” Despite her tragic loss, Rapp is fierce in her defense of the unique worth of her son's short life. He was “in his own way, perfect,” and the author poses the rhetorical question: “We are not what we become, how we look, what we do—are we?” Searching for spiritual solace, Rapp and her husband attended a Buddhist retreat and cherished the words of one of the teachers: “Remember there's a whole person behind whatever physical affect presents itself.”

A beautiful, searing exploration of the landscape of grief and a profound meditation on the meaning of life.

Pub Date: March 11, 2013

ISBN: 978-1-59420-512-5

Page Count: 224

Publisher: Penguin Press

Review Posted Online: Nov. 7, 2012

Kirkus Reviews Issue: Dec. 1, 2012

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Kirkus Reviews'
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  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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