Showing his age not a whit, nor having lost his appetite, Peter Rabbit eats his way into a pair of (metaphorical) pickles in this droll comeback.
Idly wishing for a change of scenery, Peter falls asleep in the McGregors’ picnic basket—after polishing off a sandwich that’s as big as he is—and wakes up in the far-off Scottish Highlands. Thompson (who also often wakes up in Scotland) doesn’t leave him at loose ends for long, though. Rescued by kilted cousin Finlay McBurney, he spends a cozy night atop a sack of “sheepswool and heather.” The next day he attends a rabbit Highland games (“very boring”) before enjoying a further gustatory encounter with an “unusually large RADISH” hidden behind a “Keep Out” sign. At last he makes his way back home with a “fat little haggis for his mother.” Looking something like a fat little haggis himself and still clad in his customary torn blue jacket, Peter draws the eye in each of Taylor’s verdant, loosely brushed watercolors. Most of the action plays out in the text, but, rendered in Beatrix Potter’s general style with a paler palette and less dramatic tension, the pictures nonetheless create pretty, idyllic tableaus of wildflowers, tartans and dappled greenery.
An outing to which children (like Peter’s cousin Benjamin Bunny) will listen with “particular attention,” done up in a large, decidedly un-Potter-like trim size that’s suitable for sharing in a lap or with a group. (Picture book. 5-8)
