by Emmanuel Dongala & translated by Maria Louise Ascher ‧ RELEASE DATE: May 5, 2005
One respects this earnest tale's passion and indignation, but little else. Johnny is a posturing monster, Laokolé a stoical...
The native Congolese author, now Massachusetts-based, writes of civil war and its attendant atrocities.
Unlike Dongala's subtly woven The Fire of Origins (2002) and Little Boys Come from the Stars (2001), his latest offers a simplistic contrast of innocence with rampant amorality. It’s set in an unnamed West African nation where forces representing the Mayi-Dogo and Dogo-Mayi tribes struggle to annihilate one another, aided by mercenaries from various countries, though the fighting is entrusted largely to laxly trained “militias” whose main “political” objectives are rape and looting. One such force, the Mata-Matas (aka “Roaring Tigers”), flounders under the leadership of strutting thug General Giap, who has inexplicably delegated major responsibilities to the eponymous Johnny, a teenaged brute who assumes several resonant noms de guerre before settling on “Mad Dog,” and who narrates his murderous misadventures in vainglorious accents, all the while assuring us that he’s an unparalleled intellectual, heroic freedom fighter and sexual athlete. Mad Dog’s narrative is juxtaposed with that of Laokolé, a valiant 16-year-old refugee who flees the carnage with her multiple amputee “Mama” and younger brother Fofo. She (a would-be engineer) is the “intellectual” that Johnny claims to be—and it becomes apparent that Dongala is setting the two on a collision course, as Laokolé finds temporary sanctuary in a U.N. embassy building, loses all her loved ones and finally reaches an embattled village, where (in a painfully unconvincing climactic scene) she and Mad Dog face off, lethal violence ensues and, as their country smolders, the stars overhead wheel silently and indifferently in their courses.
One respects this earnest tale's passion and indignation, but little else. Johnny is a posturing monster, Laokolé a stoical saint, and every action and thought of each is reduced to melodramatic cliché. The result is an all-too-credible horror story, but not a good novel.Pub Date: May 5, 2005
ISBN: 0-374-17995-6
Page Count: 256
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2005
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by Emmanuel Dongala & translated by Joel Rejouis with Rose-Myriam Rejouis & Val Vinokurov
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by Emmanuel Dongala & translated by Lillian Corti
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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