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THE RUNAWAY TORTILLA

Anyone who's ever driven across town for the perfect taco will understand the allure of the world's most entertaining...

Perfection can be dangerous, as restaurateurs Tía Lupe and Tío José discover when one of their delicious tortillas comes to life and runs away.

The handmade tortillas, "light as a cloud and as soft as the fuzz on a baby's cheek," are so gravity-defying that one takes off, pursued at first by the couple, and then by a parade of conejos (rabbits), sapos cornudos (lizards), vaqueros (cowboys), and other locals. The story should sound familiar; it's a Spanish-sprinkled update of “The Gingerbread Man.” This tortilla tale is a revamp of Kimmel’s out-of-print 2000 book of the same name, illustrated by Randy Cecil, featuring winning new art and more Spanish but with that unsparing original ending. (Let's just say things do not end well when the troublemaking tortilla encounters a fox.) The text is energetic, and the baked-in Spanish avoids feeling dumbed down; it's placed so well in context that non–Spanish-speaking readers won't feel lost. The illustrations evocatively convey the cacti, sand-beached rubble, and reptilian fauna of the Southwest as well as the crispy-masa body of the tortilla herself. Her singsong-y taunt is catchy: "Run as fast as fast can be. / You won't get a bite of me. / Doesn't matter what you do. / I'll be far ahead of you!"

Anyone who's ever driven across town for the perfect taco will understand the allure of the world's most entertaining tortilla. (Picture book. 4-8)

Pub Date: Sept. 1, 2015

ISBN: 978-1-941821-69-5

Page Count: 32

Publisher: WestWinds Press

Review Posted Online: June 9, 2015

Kirkus Reviews Issue: July 1, 2015

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HOME

Visually accomplished but marred by stereotypical cultural depictions.

Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”

Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.

Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)

Pub Date: Feb. 24, 2015

ISBN: 978-0-7636-6529-6

Page Count: 40

Publisher: Candlewick

Review Posted Online: Nov. 17, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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NOAH CHASES THE WIND

An invitation to wonder, imagine and look at everything (humans included) in a new way.

A young boy sees things a little differently than others.

Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.

An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)

Pub Date: April 14, 2015

ISBN: 978-1-60554-356-7

Page Count: 32

Publisher: Redleaf Lane

Review Posted Online: Feb. 2, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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