A harsh film-industry coming-of-age story.
Coyote (Invaders from the Outer Rim, 2015, etc.) delivers a novel about a young man making his way in Hollywood.
In 1988, Samuel Reuben, an aspiring screenwriter, arrives in Los Angeles. He’s fled his Hasidic upbringing in New York City to enroll in the University of Southern California’s famous film program. Despite his aspirations, it doesn’t take long for him to learn that there’s plenty of darkness in sunny California. He’s mugged and questioned about his sexuality during his very first day on campus, so it’s clear that Samuel’s adventures in LA won’t be easy. He eventually drops out of school, takes temp jobs, and comes to terms with the strange ways of the film industry; at one point, for example, Samuel’s boss has sex with Samuel’s date at the company Christmas party. Samuel keeps writing despite the fact that just about everyone else in LA seems to be working on a screenplay. But will he ever be able to find the right mix of luck and content to make it in such a twisted world? The novel offers some vulgar sentiments; for example, when someone rewrites one of Samuel’s scripts, Samuel describes it as “taking my baby and sticking his cock up the baby’s ass.” There’s also plenty of loveless sexual activity in this cruel vision of LA. That said, Coyote’s portrayal of the city manages to be friendlier than those drawn by, say, Bret Easton Ellis. The book also features cameos by Hollywood figures such as director and producer Irwin Allen. Overall, the story of Samuel’s struggle to become a writer can be redundant at times, and it will be obvious to perceptive readers that his success won’t take place in early chapters, if it ever does. The narrative keeps moving forward, though, and some readers will be intrigued by guessing what type of Hollywood depravity will occur next. Surprises happen, characters remain eager for big breaks, and the fate of a once-innocent kid in an unscrupulous place remains up in the air until the very end.
A harsh film-industry coming-of-age story.Pub Date: Nov. 28, 2015
ISBN: N/A
Page Count: 209
Publisher: CreateSpace
Review Posted Online: Jan. 26, 2016
Review Program: Kirkus Indie
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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