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BORN TO PLAY

THE ERIC DAVIS STORY

A gritty and witty look under the batting helmet of star player Davis, whose heart is a big red machine. Although Wiley, who served with Sports Illustrated and ESPN, and also coauthored Spike Lee’s Best Seat in the House (1997), is listed as coauthor, another coauthor here is clearly Jesus, evident in phrases like “God’s will is in baseball too.” The Lord saves Davis from many perils, including a World Series injury in 1990, when this fiercely proud and competitive slugging outfielder ruptured his kidney almost making an impossible diving catch. Typically, Davis didn—t display any pain until he collapsed on the way to the batters” box. He urinated enough blood to fill a beer cup and was rushed to the hospital. Every split second of this drama, from what he was thinking as he attempted the catch to the traffic lights on the ambulance drive, is given in great detail—fine reading. It’s great fun to hear Davis talk about “only hitting a buck seventy-eight” (.178) and hitting a “granny” (grand-slam home run). While his favorite years may have been as a Cincinnati Red, the real plot revolves around his rare ability to play hurt. One key injury happened after he was traded from the Dodgers to the Tigers and crashed into Fenway Park’s notoriously short center-field wall. His hardest and highest wall, of course, was the colon cancer he courageously fought off to return to a troubled Baltimore club last season. To the book’s credit, it remains about balls and strikes, dugouts and stadiums, rather than hospitals and chemotherapy treatments. Yankee Darryl Strawberry, Davis’s old high school friend and rival, who also got much publicity fighting colon cancer last year, writes in the Afterword, “Knowing what he went through probably saved my life.” Davis comes off as a picture of consistency, morality, and heroism.

Pub Date: April 12, 1999

ISBN: 0-670-88511-8

Page Count: 288

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1999

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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