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MODEL HOME

A wild first novel that amply confirms the promise of Puchner’s story collection, Music Through the Floor (2005).

Family love flickers capriciously throughout this fine domestic drama, which runs the gamut from hilarious to harrowing.

Developer Warren Ziller’s first big mistake was to uproot his family from their happy Wisconsin home and move them to a too-expensive house in a lush Los Angeles suburb. He’s been told he can make a killing in California real estate, so he rushes to build in the desert without knowing about a planned sludge dump—his second big mistake. In the summer of 1985, facing bankruptcy, he hasn’t sold a single property. His sweetly virtuous wife Camille makes educational videos; handsome oldest son Dustin surfs and leads a punk band; daughter Lyle is smart and misanthropic; 11-year-old Jonas is strange and lonely. All of them are oblivious to their impending doom as they perform “the slow, jokey, unrehearsed vaudeville of being a Ziller.” Vaudeville is right: There are many laugh-out-loud moments, among them a particularly hilarious scene in which Lyle, drunk on tequila, serves some outraged customers at an ice-cream parlor. More serious developments include Lyle gleefully losing her virginity to the Mexican gatekeeper on their estate and Dustin having bravado sex with the disturbed sister of his less seducible girlfriend. Everything changes at the midpoint, when a gas explosion destroys their home and Dustin is badly burned. Family solidarity reigns supreme during the Zillers’ two-month vigil at the hospital, but it’s a different story when, with painful irony, they find themselves living next to the sludge dump. Another crisis erupts when Jonas runs away, but even in these dark times, humor keeps bubbling up. The inventive author maintains a swirl of action while encouraging us to ponder some fundamentals. What holds a family together: memories, rituals, crises? And how do parents guard against favoring one child over another?

A wild first novel that amply confirms the promise of Puchner’s story collection, Music Through the Floor (2005).

Pub Date: Feb. 1, 2010

ISBN: 978-0-7432-7048-9

Page Count: 320

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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