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THE GEOGRAPHY OF BLISS

ONE GRUMP’S SEARCH FOR THE HAPPIEST PLACES IN THE WORLD

Fresh and beguiling.

Part travelogue, part personal-discovery memoir and all sustained delight, this wise, witty ramble reads like Paul Theroux channeling David Sedaris on a particularly good day.

Intent on finding the happiest places on Earth and learning what makes them that way, globe-trotting NPR correspondent Weiner discovers some surprises. Money helps, but only to a point; the happiest places tend to be racially homogenous (an unfortunate statistic for multiculturalists); the greatest obstacle to happiness is not poverty or oppression, but envy; breast-enhancement surgery appears to be a good investment, happiness-wise. The author vividly renders happily repressed Switzerland, determinedly tolerant and hedonistic Holland and culturally vibrant Iceland as models of happiness-encouraging environments. (Another surprise: Happiness flourishes in cold climates.) Excursions to Bhutan and India provide a spiritual perspective and underscore the wisdom of low expectations. For contrast, Weiner visits some decidedly unhappy spots: England’s dismal Slough (“a showpiece of quiet desperation”); newly rich Qatar, choking on cash but devoid of culture; and miserable Moldova, whose citizens live by an ethos of envy, corruption, vicious self-interest and pleasure in the misfortune of others. The Moldova chapter is the book’s funniest—nothing inspires comedy like misfortune and despair. But Weiner writes of the morose Moldovans with affectionate warmth and manages to find something positive to say about the country: The fruits and vegetables are fresh. Americans, despite their wealth and comfort, don’t make the top ranks of the world-happiness index—they think too much, work too hard and look for satisfaction in consumer goods. The author’s pronouncements on the nature of happiness are not exactly world-shaking: It depends on cooperative relationships and community; it has spiritual value; it can be attained as a conscious choice. But the author’s conclusions are hardly the point—as with all great journeys, getting there is at least half the fun.

Fresh and beguiling.

Pub Date: Jan. 1, 2008

ISBN: 978-0-446-58026-7

Page Count: 352

Publisher: Twelve

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2007

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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