Next book

FEAR OF FIFTY

A half-century under her belt has not staled Jong's passion nor has painful controversy withered her talent for unflinching observation. This memoir is Jong's (The Devil at Large, 1993) meditation on what it all means for women encountering 50. ``We are the Whiplash Generation,'' she says, ``raised to be Doris Day...yearning to be Gloria Steinem, [and raising] our midlife daughters in the age of Nancy Reagan and Princess Di.'' Jong now has a husband (no. 4), a 14-year-old daughter, a mother and father, and a senile aunt for whom she is responsible. In chapters often fliply titled—``The Mad Lesbian in the Attic'' (about her aunt); ``Donna Juana Gets Smart'' (about loving ``bad boys'')— Jong ruminates eloquently and movingly on her roots (she's the granddaughter of Eastern European Jews and the privileged daughter of parents with frustrated callings to art and music), her flamboyant life (frequently played out in public since the appearance of Fear of Flying 21 years ago), and on being a woman in the '90s (``From the vantage point of fifty, the discriminatory cycle is utterly clear...we know we have reasons for despair''). The Erica Jong of the irrepressible libido and the Anglo-Saxon vocabulary is here. But a mellower Jong mocks her own infatuation with Literature with a capital ``L,'' regrets the messiness of her divorce from Jonathan Fast (the father of her daughter), and delves into her Jewishness, spirituality, love, and work. A chapter titled ``Men Are Not the Problem'' ponders the cruelty of women to one another. Reflecting bitterness-turned-to- puzzlement about the antagonism many feminists have felt to her work, she argues that women who demand political correctness- -whatever that may be in a given year—perpetuate separatism and sexism. With a quotable line on almost every page, Jong's story is more than flash and fire—there's poetry and wisdom, too. (First serial to Parade and Cosmopolitan; Literary Guild selection; $130,000 ad/promo; author tour)

Pub Date: Aug. 3, 1994

ISBN: 0-06-017739-X

Page Count: 320

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1994

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview