by Erika Hayasaki ‧ RELEASE DATE: Jan. 14, 2014
These assignments invite readers to consider the essential question of Bowe’s course—and Hayasaki’s book: How can we learn...
In the genre of uplifting books about inspiring people, former Los Angeles Times reporter Hayasaki (Literary Journalism/Univ. of California, Irvine) offers a portrait of Norma Bowe, a psychiatric nurse and teacher at Kean University, whose “Death in Perspective” class has changed the lives of some of her most vulnerable students.
The author, who has faced death and loss in her own life, uses “immersion” and “participatory” journalism, following Bowe for four years, enrolling in the class and conducting extensive interviews. In addition, she read books and articles about death, dying and mental health, especially works by Erik Erikson, whom Bowe champions. Hayasaki structures her narrative by focusing on several students whose lives were in dire crisis when they met Bowe. One’s mother was a drug addict; another, whose father murdered his mother, cared for his schizophrenic younger brother; another struggled to wrest himself from a gang. Although reluctant to talk about herself, Bowe, too, revealed a dark past: She was an unwanted child, repeatedly battered by her cruel, narcissistic parents. Her grandmother raised her for part of her childhood. Indeed, besides Bowe, whom Hayasaki portrays as selfless and tireless, the heroines of this book are the many grandmothers who raised children their own offspring could not, or would not, care for. Bowe seems to have “radar hardwired inside her” that alerts her to people in need. Cheerful even while traipsing through a cemetery or visiting a halfway house, she emitted “an air of invincibility” and “a feeling so magnetic” that students flocked to her. At the end of every chapter, Hayasaki includes an assignment from Bowe’s syllabus—e.g., write your own eulogy, pretend you are a ghost and record your observations, write a goodbye letter to someone or something lost.
These assignments invite readers to consider the essential question of Bowe’s course—and Hayasaki’s book: How can we learn to celebrate life?Pub Date: Jan. 14, 2014
ISBN: 978-1-4516-4285-8
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: Oct. 27, 2013
Kirkus Reviews Issue: Nov. 15, 2013
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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