A holiday tale of wondrously humble miracles without once becoming saccharine. Lovely indeed.
After Sea of Memory (1999), De Luca offers another symbolic tale of adolescence, filling a few crucial months in the life of a Neapolitan boy.
When he turns 13, much happens to our narrator: he finishes with school; goes to work; falls in love; and waits as his mother becomes ill and dies. All of this takes place in a poor part of Naples known as Montedidio—God’s Mountain. And it does seem touched by God. The boy’s new job is as assistant to cabinet-maker Errico, for whom “the day is a morsel. One bite and it’s gone, so let’s get busy.” Errico gives over a corner of his shop to the humpback cobbler Rafaniello, refugee from a European village annihilated recently by WWII. In a gifted, saintly, almost magical way, Rafaniello, in this workshop of boy, cobbler, and carpenter, repairs the shoes of the poor so they’re as good as new. Another wooden object, meanwhile, plays a big part in the boy’s life: a boomerang, birthday gift from his father. Inside Rafaniello’s hump, we learn, are wings that before long will “hatch,” enabling their kindly owner, as he devoutly desires, to fly from Naples to Jerusalem. The boy, meanwhile, practices and practices how to throw his boomerang—without yet letting it go, since in crowded Montedidio “there’s not enough room to spit between your feet” let alone release a boomerang. But practice builds up his muscles, something noticed by Maria, a girl his own age who lives in his building and has been keeping her family from eviction through sexual favors to the aging landlord. That all ends, however, when her love for the boy gives her—and him—a new power, purity, and happiness. Themes converge—age, youth, desire, sanctity, flight—on New Year’s Eve, when things happen, or seem to, that bring all to a hopeful and lovely close.
A holiday tale of wondrously humble miracles without once becoming saccharine. Lovely indeed.Pub Date: Dec. 3, 2002
ISBN: 1-57322-960-1
Page Count: 176
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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