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ZIGZAG THROUGH THE BITTER ORANGE TREES

Some memorable detail and wry observations, but capricious character behavior and too many anticlimaxes will frustrate...

Four young lives intersect in contemporary Greece.

Athenian slacker Sid spends days on the couch, heckled by pet mynah bird Maria, and nights in the taverna, where he meets the vaguely Goth girl Julia, his idea of a black-magic woman. They have a desultory affair. Sid’s sister Lia is in an Athens hospital, expected to die of a rare ailment, the exact nature of which her doctor can’t—or won’t—disclose. Her nurse-nemesis, Sotiris, hails from a coastal village and makes frequent visits home, where he stalks a young girl. His quarry is Nina, age 13, sent by her parents to live with her aunt and help out in the aunt’s café. From afar, Nina worships a boy summering in the village with his bourgeois family. A budding writer, she is acutely attuned to her surroundings and condemns other people as “zombies.” She senses she is being followed, and at one point, Sotiris exposes himself to her. Lia asks Sid to get even with Sotiris. Sid, posing as Sotiris’s old school friend Thanási, saddles him with Maria the mynah. Lia sneaks a look at her medical file, and is caught by Sotiris, who slugs her. From then on, he lives in fear she’s going to report him. She’s learned her diagnosis, “Hcnvmb,” a condition, her doctor explains, in which the body’s immune system rallies to fight a non-existent virus. Summoned to the village by Sotiris, Sid/Thanási witnesses the departure of Nina’s crush, Stephanos. Sotiris then enlists him in a failed attempt to “get rid” of Nina. Back in Athens, Sotiris meets Julia, a student physician’s assistant. They get engaged. She notes the strange coincidence of two boyfriends with the same mynah. Shortly after a last visit to Lia, Sid recalls, with odd detachment, the fact that she died alone after he ignored her request to stay the night.

Some memorable detail and wry observations, but capricious character behavior and too many anticlimaxes will frustrate readers.

Pub Date: Dec. 1, 2006

ISBN: 1-56656-661-4

Page Count: 288

Publisher: Interlink

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2006

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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