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ANYTHING GOES

A HISTORY OF AMERICAN MUSICAL THEATRE

Mordden rambles some, as is his habit, but he’s a formidably well-informed and bracingly opinionated guide to a...

Prolific entertainment historian Mordden (Love Song: The Lives of Kurt Weill and Lotte Lenya, 2012, etc.) tracks the musical from its European origins to its current offerings on and off Broadway.

The author has written a previous survey of the history of musical theater, but there have been a lot of developments since Better Foot Forward was published in 1976. Here, the author assesses the changes in the final three chapters. “The Sondheim Handbook” covers not just the late-20th-century musical theater’s most influential artist, but also such fellow innovators as Bob Fosse, Michael Bennett and Tommy Tune. “Devolution” critically chronicles Broadway’s increasing reliance on revivals (which “in effect admit that worthy new work has become…hard to find”) and on jukebox musicals that use pre-existing songs. Yet “That Is the State of the Art” is a generally positive wrap-up, with enthusiastic comments on recent shows ranging from commercial hits (Wicked, The Book of Mormon) to more austere works staged in the noncommercial theater (Marie Christine, Parade). All but the most serious students of musical theater will likely be daunted by the book’s opening 100 pages, devoted to the formative history that runs from John Gay’s The Beggar’s Opera in 1728 through Victor Herbert and the Ziegfeld Follies of the 1910s. Yet Mordden makes a strong case for the crucial roles these relatively obscure works played in shaping the genre that came to full maturity in the art’s golden age (1920–1980). Chapters covering that period will sound a tad familiar at times to those who have read Mordden’s multivolume, decade-by-decade history, but they are nonetheless informative and enjoyable. An excellent discography and suggestions for further reading complete this stimulating survey.

Mordden rambles some, as is his habit, but he’s a formidably well-informed and bracingly opinionated guide to a quintessentially American art form.

Pub Date: Sept. 6, 2013

ISBN: 978-0-19-989283-9

Page Count: 344

Publisher: Oxford Univ.

Review Posted Online: June 24, 2013

Kirkus Reviews Issue: July 15, 2013

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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