Next book

HUNTING HOUSES

There is something essentially inexplicable about a woman who wants to implode a largely faultless life, but Britt doesn’t...

A happily married real estate agent contemplates having an affair.

Tessa, at 37, has a lovely life in Montreal: three sons, an “irresistible” and creative husband, and a financially comfortable life. When one of Tessa’s female clients needs to sell a home due to an impending divorce, Tessa doesn’t realize that the home belongs to her first great love, Francis—until he calls and asks her to meet him for a drink. Immediately, Tessa knows she will meet him, and she expects to return to the state of desire that has simmered underneath her contented life ever since the end of their relationship more than 15 years earlier. The novel unspools forward and backward in time as Tessa narrates her childhood, adolescence, and relationship with Francis in the past and inches forward through the quotidian life of mothering and domesticity as she waits for her meeting with Francis. Britt (Louis Undercover, 2017, etc.) is covering familiar ground, but luckily, the novel is smarter than the average exploration of middle-class ennui. For one thing, Tessa is a protagonist who defies expectations; she’s failed at the creative career she wanted, but she doesn’t appear to resent it. She’s an excellent mother but views the complex reality of parenting with clarity. She’s self-aware about the dark streak she’s carried her whole life—“I was nothing but love and torment,” she says—but this darkness hasn’t threatened to poison her relationships...until now. While the reader is likely rooting for Tessa to keep her family intact, Britt also reminds us, in spare and trenchant prose: “To each her own end of the world.”

There is something essentially inexplicable about a woman who wants to implode a largely faultless life, but Britt doesn’t shy away from exploring this impulse anyway, with memorably lovely results.

Pub Date: Sept. 4, 2018

ISBN: 978-1-4870-0238-1

Page Count: 264

Publisher: Arachnide/House of Anansi Press

Review Posted Online: June 20, 2018

Kirkus Reviews Issue: July 1, 2018

Next book

THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Next book

THINGS FALL APART

This book sings with the terrible silence of dead civilizations in which once there was valor.

Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

Categories:
Close Quickview