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YOU'RE NEVER WEIRD ON THE INTERNET (ALMOST)

A MEMOIR

Day is delightfully good company and has an interesting story to tell, but a richer work would have made more room for a...

Actress Day, best known for her “geek goddess” roles in such nerd-culture touchstones as the Web series The Guild and various Joss Whedon projects, recounts her unusual upbringing and the neuroses-strewn path that led to her obsessions with fantasy, science fiction, gaming, and online communities.

Diffidently home schooled by an eccentric, indulgent mother, the author and her brother were largely left to pursue their particular passions in an environment of social isolation. Day responded by immersing herself in the imaginative worlds of escapist genre fiction and video games, forging communities of like-minded introverts over the nascent World Wide Web—when she was not busy excelling at advanced mathematics and the violin, achievements that would land her in college at an age years younger than her peers, further exacerbating her social awkwardness. Day writes charmingly of her cluelessness and determination throughout her career, but there is a dark undercurrent to her drive to succeed, no matter how arbitrary the reward. From “leveling up” in an online game to maintaining a perfect (and perfectly useless, post-graduation) GPA, Day has always pursued her goals with a manic focus seemingly driven entirely by fear and panicky self-doubt. This compulsive nature led to addiction problems, interpersonal chaos, and extended periods of depression. The author’s feelings about her prominent role in the misogyny-drenched “Gamergate” scandal, which she reveals here with raw anger and hurt simmering beneath her breezy, kooky gal patter, suggest a painful ambivalence about the costs and rewards of the indoor, fantastical, virtual life—a fascinating thread that is too glancingly addressed throughout the book.

Day is delightfully good company and has an interesting story to tell, but a richer work would have made more room for a consideration of the darker aspects of geek culture.

Pub Date: Aug. 11, 2015

ISBN: 978-1-4767-8565-3

Page Count: 288

Publisher: N/A

Review Posted Online: May 13, 2015

Kirkus Reviews Issue: June 1, 2015

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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