The mother of all stories about women who unwittingly marry charming sociopaths and gradually awaken to their peril.
Iles’ pioneering psychological thriller, filmed by Alfred Hitchcock as Suspicion, returns from its first publication in 1932 to confront its myriad offspring.
When she first catches sight of Johnnie Aysgarth, youngest son of an impoverished aristocrat, Lina McLaidlaw is instantly swept off her feet by his playful insouciance and his exclusive focus on her to the neglect of everyone else on the scene. After a whirlwind courtship, they wed and enjoy a blissful honeymoon. It’s not till the couple returns to Dellfield, the spacious home Johnnie’s rented in Dorchester, that Lina, who stands to inherit £50,000 on her father’s death, learns that Johnnie doesn’t have a penny of his own or any idea how to make a living. She seeks to stem his endless cycle of borrowing greater and greater sums from anyone who’ll lend them by persuading him to take a job managing the estate of his distant relative Captain Melbeck, but then learns that he’s continued to gamble despite his promises to stop. In fact, Lina slowly comes to realize, she can’t believe a single word from her alluring, solicitous husband’s mouth. The pseudonymous Anthony Berkeley Cox (1893–1971) paces the rising false notes with surgical precision, revealing Johnnie as a liar, a cheater, a gambler, a thief, and ultimately a murderer. The most telling development here is not of Johnnie, who smilingly declines to change, but of Lina, who evolves from his target to his victim to his accomplice. Modern readers may well shudder at her willful obliviousness, but fans who recognize the persistence of this formula to the present will acknowledge the power of this indispensable template for three generations of brides-in-distress that followed.
The mother of all stories about women who unwittingly marry charming sociopaths and gradually awaken to their peril.Pub Date: July 15, 2025
ISBN: 9781464237614
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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