While the whimsy and wonder run high, the narrative contrivances intrude more than in its predecessors.
Philemon is back on—or rather in—the map with his friend Mr. Bartholomew, where they must help more peculiar inhabitants of the nonsensical map-world.
Back home on his farm, Philemon and his loyal donkey, Anatole, discover their friend Mr. Bartholomew miserable and sobbing. In the series’ first volume, Cast Away on the Letter A (2014), Philemon rescued him when he was stranded on the letter A (from the word "Atlantic" on a map) and brought him from his Wonderland-like residence back to the real world. However, reality and order have proven to be dull, and now, Bartholomew pines to go back onto the map. Aided by Uncle Felix, Phil and Bartholomew are transported to the map, but since they cannot go back the same way twice, they end up on the dot of the letter I. Their journey back to the A, however, doesn’t go as expected. As before, quirky curiosities and idiosyncrasies—like an oar-driven galley that’s shaped like a whale (complete with spout) or a castle tenuously suspended by a thread—pop up around every corner. Unlike the previous volumes, however, this third outing doesn't flow smoothly, with some of the critical details of the plot—like their arrival on the map—feeling a bit forced. Nevertheless, the kaleidoscopic narrative lens and mind-bending worldbuilding readers have come to expect are still fully intact, even if they are a bit of a reach.
While the whimsy and wonder run high, the narrative contrivances intrude more than in its predecessors. (Graphic fantasy. 7-12)Pub Date: Sept. 15, 2015
ISBN: 978-1-935179-86-3
Page Count: 56
Publisher: TOON Books & Graphics
Review Posted Online: June 22, 2015
Kirkus Reviews Issue: July 15, 2015
BOOK REVIEW
BOOK REVIEW
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.
Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).
The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)Pub Date: Dec. 26, 2017
ISBN: 978-0-545-93518-0
Page Count: 256
Publisher: Graphix/Scholastic
Review Posted Online: May 13, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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