A classic made current and a welcome addition to the library of Russian literature in translation.
One of literature’s definitive prison memoirs is given new immediacy in this sturdy translation by the team of Pevear and Volokhonsky (Leo Tolstoy’s War and Peace, 2007, etc.).
Much of Dostoyevsky’s work is yellowed with age, and its mustiness isn’t entirely the fault of earlier translators; as well, he has the gloomy and moralizing air of the proselyte, especially one who’s seen the worst side of human nature, all of which makes him sometimes disagreeable to read. This piece from his middle period, first published in 1861, is an exception. It's a thinly veiled roman à clef: The “dead house” in question is the walled prison within the greater prison that is the Siberian wild to which Dostoyevsky was remanded in 1849 after having run afoul of the czarist regime. “In prison they generally took a dark and unfavorable view of former noblemen,” he writes. Alexander Petrovich Goryanchikov, the nobleman in question, returns the favor; imprisoned for killing his wife (a crime eligible for parole, of course), he is full of class prejudices and certain that he deserves better company, but in time, he sheds his disdain, having discovered that “in prison there was time enough to learn patience.” Prison occasions its own society, a microcosm in which nobles become servants and another nobility emerges, one that values people such as the inmate who “was self-taught in everything: one glance and he did it.” Indeed, Goryanchikov tells us, all the old categories and classifications fall victim to the reality of prison, where a man who’s killed six people can be less frightening than one who’s killed just one. “There were crimes of which it was hard to form even the most elementary notion: there was so much strangeness in the way they were committed.” Lacking the penitential heavy-handedness of Dostoyevsky’s later work, Notes humanizes the forgotten denizens of the first Gulag, decrying a system of punishment that does not always fit the crime.
A classic made current and a welcome addition to the library of Russian literature in translation.Pub Date: March 24, 2015
ISBN: 978-0-307-95959-1
Page Count: 336
Publisher: Knopf
Review Posted Online: Jan. 7, 2015
Kirkus Reviews Issue: Jan. 15, 2015
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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