An astute, socially relevant tale set in a world that readers will happily get lost in.
In Matiasz’s (End Time, 1994) sci-fi novel, a private investigator scours a dystopian San Francisco for a killer.
By 2042, America has fragmented: massive earthquakes have devastated the West Coast, while riots and social chaos have created lawless regions across the country, and some territories have even seceded from the United States. Private eye Jimmy Hidalgo’s latest gig seems relatively easy: find a missing woman—a deadly OverUnity operative who’s likely in San Francisco. His client is Ajnzar, who turns out to be one of the Majjar, an alien species allied with the OverUnity civilization that governs the Sagittarius galactic arm. Jimmy is also looking into the murder of his friend Danny Delgado, although forensics can’t quite explain the condition of his small, gray corpse. The PI soon suspects that Danny’s killer and the missing human operative, whose name translates to “Anger Cat Stealth,” are the same woman. Meanwhile, another human named Becky Wiley has managed to illegally acquire three security cases, which separately contain a gem, personal documents belonging to a person named Robert Yi Lee, and a bizarre alien artifact; she does her best to steer clear of suddenly inquisitive cops and feds. More murders ensue, and Jimmy eventually crosses paths with Becky, a hunter alien, and a human with psionic ability. Matiasz presents an engaging view of a future world that brims with intriguing political and societal issues; for example, racial segregation is shown to spark migration, and openly gay Becky remembers high school days of homophobic torment. The author also relays extensive exposition in various, clever ways, including snippets of a TV show and part of a lecture about “America’s Terror War.” There’s so much worldbuilding, in fact, that it doesn’t allow much room for action, and the inevitable climax happens very late in the book. The ambience, however, is so richly textured and frightening that it’s palpable.
An astute, socially relevant tale set in a world that readers will happily get lost in.Pub Date: Sept. 28, 2016
ISBN: 978-0-9977054-3-0
Page Count: -
Publisher: 62 Mile Press
Review Posted Online: Feb. 14, 2017
Kirkus Reviews Issue: March 15, 2017
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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