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PRIVACY

A provocative and unsettling look at something most take for granted—but shouldn’t.

Acclaimed essayist and Harper’s contributor Keizer (The Unwanted Sound of Everything We Want: A Book About Noise, 2010, etc.) conducts a philosophical meditation on the nature of privacy and finds that the “right to be let alone” is a lot more complex than many may think.

In an era of phone-hacking scandals, invasive body scans and warrantless electronic snooping, it’s easy to conclude that traditional notions of privacy are under serious assault. But Keizer isn’t interested in restating the obvious. In an intellectually robust discussion of privacy, the author finds that what can properly be thought of as a true American virtue is actually a lot more precarious than normally presupposed. A man’s home may be his castle, but what about the lady of the house? How much “privacy,” historically speaking, has she been afforded? Does the cleaning woman who visits once per week fare even worse? When does “private” slip into something “secret”—and what's the difference? With unyielding analytical scrutiny, Keizer raises plenty of doubt about the primacy of so-called private lives. Omnipresent social networks and electronic conveniences aside, the author argues that personal privacy—whether artfully usurped or forcefully restricted—must still be maintained in order for democratically representative governments to exist. Unfortunately, class, gender and race each play a big role in undermining privacy when the needs of “The Market” bump up against individual rights. Keizer provides a profound discourse sure to challenge comfortably held notions about privacy. The consequences of such revelations are vast, and readers will be left considering the implications long after the last page is turned.

A provocative and unsettling look at something most take for granted—but shouldn’t.

Pub Date: Aug. 7, 2012

ISBN: 978-0-312-55484-2

Page Count: 208

Publisher: Picador

Review Posted Online: April 3, 2012

Kirkus Reviews Issue: May 1, 2012

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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MASTERY

Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should...

Greene (The 33 Strategies of War, 2007, etc.) believes that genius can be learned if we pay attention and reject social conformity.

The author suggests that our emergence as a species with stereoscopic, frontal vision and sophisticated hand-eye coordination gave us an advantage over earlier humans and primates because it allowed us to contemplate a situation and ponder alternatives for action. This, along with the advantages conferred by mirror neurons, which allow us to intuit what others may be thinking, contributed to our ability to learn, pass on inventions to future generations and improve our problem-solving ability. Throughout most of human history, we were hunter-gatherers, and our brains are engineered accordingly. The author has a jaundiced view of our modern technological society, which, he writes, encourages quick, rash judgments. We fail to spend the time needed to develop thorough mastery of a subject. Greene writes that every human is “born unique,” with specific potential that we can develop if we listen to our inner voice. He offers many interesting but tendentious examples to illustrate his theory, including Einstein, Darwin, Mozart and Temple Grandin. In the case of Darwin, Greene ignores the formative intellectual influences that shaped his thought, including the discovery of geological evolution with which he was familiar before his famous voyage. The author uses Grandin's struggle to overcome autistic social handicaps as a model for the necessity for everyone to create a deceptive social mask.

Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should beware of the author's quirky, sometimes misleading brush-stroke characterizations.

Pub Date: Nov. 13, 2012

ISBN: 978-0-670-02496-4

Page Count: 320

Publisher: Viking

Review Posted Online: Sept. 12, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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