It’s 1968. The Vietnam War and Apollo 11 are in the background, and between a war in a distant land and a spacecraft heading to the moon, Doug Swieteck starts a new life in tiny Marysville, N.Y. He hates “stupid Marysville,” so far from home and his beloved Yankee Stadium, and he may have moved away, but his cruel father and abusive brothers are still with him. Readers of the Newbery Honor–winning The Wednesday Wars (2007) will remember Doug, now less edgy and gradually more open to the possibilities of life in a small town. Each chapter opens with a print of a John James Audubon painting, and Mr. Powell, the town librarian, teaches Doug to paint and see the world as an artist. He meets pretty Lillian Spicer, just the feisty friend Doug needs, and a whole cast of small-town characters opens Doug to what he might be in the world. This is Schmidt’s best novel yet—darker than The Wednesday Wars and written with more restraint, but with the same expert attention to voice, character and big ideas. By the end of this tale, replete with allusions to Our Town, Doug realizes he’s pretty happy in Marysville, where holding hands with the green-eyed girl—and a first kiss—rival whatever might be happening on the moon. (Historical fiction. 10-14)
Pub Date: April 5, 2011
ISBN: 978-0-547-15260-8
Page Count: 368
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: March 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development.
A portal fantasy survivor story from an established devotional writer.
Fourteen-year-old Eva’s maternal grandmother lives on a grand estate in England; Eva and her academic parents live in New Haven, Connecticut. When she and Mum finally visit Carrick Hall, Eva is alternately resentful at what she’s missed and overjoyed to connect with sometimes aloof Grandmother. Alongside questions of Eva’s family history, the summer is permeated by a greater mystery surrounding the work of fictional children’s fantasy writer A.H.W. Clifton, who wrote a Narnialike series that Eva adores. As it happens, Grandmother was one of several children who entered and ruled Ternival, the world of Clifton’s books; the others perished in 1952, and Grandmother hasn’t recovered. The Narnia influences are strong—Eva’s grandmother is the Susan figure who’s repudiated both magic and God—and the ensuing trauma has created rifts that echo through her relationships with her daughter and granddaughter. An early narrative implication that Eva will visit Ternival to set things right barely materializes in this series opener; meanwhile, the religious parable overwhelms the magic elements as the story winds on. The serviceable plot is weakened by shallow characterization. Little backstory appears other than that which immediately concerns the plot, and Eva tends to respond emotionally as the story requires—resentful when her seething silence is required, immediately trusting toward characters readers need to trust. Major characters are cued white.
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development. (author’s note, map, author Q&A) (Religious fantasy. 12-14)Pub Date: Jan. 30, 2024
ISBN: 9780593194454
Page Count: 384
Publisher: WaterBrook
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
A satisfying story of family, friendship and small-town cooperation in a 21st-century world.
Sent to stay with octogenarian relatives for the summer, 14-year-old Mike ends up coordinating a community drive to raise $40,000 for the adoption of a Romanian orphan. He’ll never be his dad's kind of engineer, but he learns he’s great at human engineering.
Mike’s math learning disability is matched by his widower father's lack of social competence; the Giant Genius can’t even reliably remember his son’s name. Like many of the folks the boy comes to know in Do Over, Penn.—his great-uncle Poppy silent in his chair, the multiply pierced-and-tattooed Gladys from the bank and “a homeless guy” who calls himself Past—Mike feels like a failure. But in spite of his own lack of confidence, he provides the kick start they need to cope with their losses and contribute to the campaign. Using the Internet (especially YouTube), Mike makes use of town talents and his own webpage design skills and entrepreneurial imagination. Math-definition chapter headings (Compatible Numbers, Zero Property, Tessellations) turn out to apply well to human actions in this well-paced, first-person narrative. Erskine described Asperger’s syndrome from the inside in Mockingbird (2010). Here, it’s a likely cause for the rift between father and son touchingly mended at the novel's cinematic conclusion.
A satisfying story of family, friendship and small-town cooperation in a 21st-century world. (Fiction. 10-14)Pub Date: June 9, 2011
ISBN: 978-0-399-25505-2
Page Count: 256
Publisher: Philomel
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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