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NOT FOR OURSELVES ALONE

THE STORY OF ELIZABETH CADY STANTON AND SUSAN B. ANTHONY

A look at the friendship of two extraordinary women, leaders of the first wave of feminism, which produced women’s suffrage. Designed as the companion to a Burns (television’s The Civil War, Baseball) and Ward (The West, 1996, etc.) film scheduled for a fall showing on PBS, this volume focuses on the remarkable 50-year partnership between Elizabeth Cady Stanton and Susan B. Anthony. It was Stanton who launched the fight for women’s rights with the 1848 Declaration of Sentiments at Seneca Falls, N.Y., and Anthony who focused on getting the vote as the issue that would give women the most leverage in gaining the economic, religious, legal, and moral independence espoused in the now famous document. Stanton, a dumpling of a woman with seven children, supplied “the philosophy and rhetoric”; Anthony, angular and a so-called spinster all her life, the “facts and statistics.” Together, with many others, including Lucretia Mott, Sojourner Truth, Lucy Stone, and Frederick Douglass, they fought year after year, speech after speech, polemic after polemic to free American women from subjugation to the fathers, husbands, and sons in their lives. Some of the battles were ugly: although the first wave of feminism was closely allied with abolition (and also temperance), both Stanton and Anthony opposed the 15th Amendment giving newly freed black men the vote, asserting that women (i.e., educated white women) deserved it more. Both Stanton and Anthony spent years criss-crossing the country, giving speeches urging women to free themselves from male domination, Anthony pounding on the issue of suffrage, Stanton on what would later be called consciousness-raising. They died years short of the 1920 constitutional amendment that would give women the vote, but they left behind women like Carrie Chapman Catt and Alice Paul, who would push it through. Heads up for those who think the women’s movement started with a bra burning in Atlantic City. (150 color and b&w photos) (Book-of-the-Month/History Book club selection)

Pub Date: Oct. 22, 1999

ISBN: 0-375-40560-7

Page Count: 272

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1999

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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